中国与国外主要世博会专题影像之梳理及比较分析

发布时间：2019-07-03 21:06

【摘要】：世博历经150余年,走过全球各主要国家和城市。在不同的时代背景下所留存的世博专题影像不仅随技术发展从黑白走到彩色,由默片转入有声,从胶片、磁带复又兜转回胶片,内容以及呈现上也是日臻成熟自成体系,表现出各国不同的文化特征与民族特色。由于国内至今仍没有针对各国拍摄制作的世博新闻素材和专题片的系统研究,因此本文试图在世博领域的影像研究方面作一些初步的努力与尝试。本文首先对世界主要国家当年世博会真实现场的第一手活动影像素材进行梳理。在对20世纪初期至30年代末期之间的几届世博影像素材作相对完整的分析说明之后,本文创新性地根据时间和内容性质将二战后的世博专题片进一步分为“前世博宣传片”、“近世博总结片”和“远世博回思片”三类,并对以上三类影像的内容、风格结构、镜头运用、呈现形式、传播方式、功能定位等进行梳理和评析,意在为世博主题留存一份影像文献档案。在此基础上,本文进而从影像史志框架下中外世博专题影像的共性、各国不同的广播电视体制、各国相异的世博会运作机制以及各国世博专题片艺术风格和技术手段等方面对中外的世博专题影像进行归纳总结和分析比较,希望达到古为今用、洋为中用的效果,其问也有一些个人的一得之见,提出来供大家探讨。一个世博影像史似乎也可视为一部世博发展史和一部影像技术呈现史。希望本专题的研究不但可为世博影像的历史发展留存一份档案,扩大和丰富世博研究领域,亦可为后世博的媒体宣传提供一些别国的经验作为参考,也可为普遍意义上的国家大型活动的影像宣传提供—些策略与启发,同时希望引发学界和业界对影像方面更多的关注以及进一步的探讨。
[Abstract]:After more than 150 years, the Expo has gone through major countries and cities around the world. With the development of technology, the thematic images of the Expo are not only from black and white to color, from silent film to sound, from film and tape to film, but also to mature and self-contained system in content and presentation, showing different cultural and national characteristics of various countries. As there is still no systematic research on Expo news materials and feature films made in China, this paper attempts to make some preliminary efforts and attempts in the field of Expo image research. First of all, this paper combs the firsthand moving image materials of the Expo in the main countries of the world. After a relatively complete analysis of the image materials of several Expo sessions from the beginning of the 20th century to the end of the 1930s, this paper innovatively divides the post-World War II Expo feature films into three categories: "pre-Expo propaganda film", "near Expo summary film" and "far Expo reflection film" according to the time and content nature, and the content, style and structure, lens use, presentation form and communication mode of the above three kinds of images are further divided into three categories: "pre-Expo propaganda film", "near Expo summary film" and "far World Expo reflection film", and the content, style structure, lens application, presentation form and communication mode of the above three kinds of images are also discussed. The purpose of sorting and evaluating the function orientation is to keep an image literature file for the theme of the Expo. On this basis, this paper further summarizes and compares the special images of the Expo between China and foreign countries from the following aspects: the commonness of the special images of the World Expo in China and foreign countries, the different radio and television systems of various countries, the operation mechanism of the Expo, the artistic style and technical means of the special films of the Expo, etc., in the hope of achieving the effect of using the ancient times for the present and the use of the foreign Put forward it for discussion. A Expo imaging history also seems to be regarded as a Expo development history and an image technology presentation history. It is hoped that the study of this topic can not only keep a file for the historical development of Expo images, expand and enrich the field of Expo research, but also provide some experience of other countries as a reference for the media publicity of later Expo, and also provide some strategies and inspiration for the image propaganda of large-scale national events in the general sense. At the same time, I hope to arouse more attention and further discussion on the image in the academic and industry circles.
【学位授予单位】：复旦大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：G206;F713.83

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