南丰傩面具艺术在现代设计中的应用

发布时间：2018-03-05 17:03

本文选题：南丰傩面具　切入点：艺术特征　出处：《重庆大学》2014年硕士论文　论文类型：学位论文

【摘要】：傩，一种从远古图腾崇拜跨越三千多年的漫长岁月发展至今，，形成一种固有的以驱鬼除疫祭祀仪式的载体。江西是中国傩文化的重要发布区之一，尤其是地处江西的南丰县，极其明晰的保留着自西汉初年以来这一古老文明传承的印记，记录着这特有的文化现象在岁月流转中变迁的痕迹[1]。“南丰傩面具艺术在现代设计中的应用”这项课题是由传统理论研究转向现代实践创新性研究的系统工程。本课题是基于南丰傩面具艺术独特地民俗魅力的基础之上深入挖掘傩文化与傩精神背后地内涵，并处现代语境下通过全新的设计手法对南丰傩面固有的艺术造型和精神文化进行再创新，创作出具有现代形式感又不失其精神内涵的艺术作品。最终，呈现出在现代社会语境下对非遗文化重新诠释的目的。
[Abstract]:Nuo, a long time from ancient totem worship spanning more than 3,000 years, has formed an inherent carrier of sacrificial ritual of exorcism and epidemic elimination. Jiangxi is one of the important publishing areas of Nuo culture in China, especially in Nanfeng County, Jiangxi Province. Keeping the imprint of this ancient civilization since the beginning of the Western Han Dynasty. It records the trace of the change of this unique cultural phenomenon in the course of the years. "the Application of Nanfeng Nuo Mask Art in Modern Design" is a systematic engineering from the traditional theory research to the modern practical innovation research. Based on the unique folklore charm of Nuo mask art in Nanfeng, the thesis deeply excavates the connotation of Nuo culture and Nuo spirit. At the same time in the modern context through a new design techniques to Nanfeng Nuo face inherent artistic modeling and spiritual culture re-innovation, create a sense of modern form without losing its spiritual connotation of art works. It presents the purpose of reinterpreting the non-posthumous culture in the context of modern society.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J528.3

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