豫北丧葬纸扎艺术研究

发布时间：2018-03-21 22:22

本文选题：豫北　切入点：纸扎　出处：《郑州大学》2014年硕士论文　论文类型：学位论文

【摘要】：纸扎是一项独特的传统民间美术形式,源于我国传统的丧葬习俗,其在丧葬活动中所承载的文化价值已经远远超越了其本身所具有的审美价值,其产生与发展的过程与民族文化心态的形成息息相关,是民族文化心态的一种物化表现形式。虽然纸扎在我国大部分地区有漫长的使用历史,但随着社会的发展人们对丧俗有了多元化的认知,传统丧葬纸扎的生存空间不断缩减,甚至有消失的趋势。为了研究和保护这一独特的民间艺术,使这一技艺得到合理的传承,就必须探究它产生的原因,记录制作技艺,分析传承发展中存在的问题。豫北丧葬纸扎在我国各地的传统纸扎中既具有普遍的代表性又具有本身的独特性,依然保持着传统的制作工艺及造型样式,其独特的刻花及雕版印刷的技艺,在其它地区的纸扎作品中是罕见的。因此本文是以豫北丧葬纸扎为研究对象,借鉴民艺学中田野调查的方法,通过采访具有代表性的纸扎艺人及作品,跟踪参与部分丧葬活动来完成的。文中关于纸扎在丧俗中的应用、纸扎制作材料与工具、纸扎的制作流程、以及使用的图像资料,均是通过田野调查采集到的第一手资料。文章从五个方面进行论述：第一部分对豫北纸扎的范畴进行了界定,举出与其它地区纸扎的异同,并罗列了其在豫北丧俗活动中的应用；第二部分详细描述了豫北纸扎的制作材料、工具及制作流程,特别是对其中的刻花及印刷技艺做了着重的介绍,并归纳出豫北丧葬纸扎的四种主要类型；第三部分是本文的核心部分,分析整理了纸扎中所蕴含的民族文化心态,以及纸扎本身体现出的审美形态；第四部分罗列了纸扎在当代传承和发展中受到的各种制约与束缚；第五部分为本文的结语部分,对丧葬纸扎在未来的发展趋势作出思索与展望。
[Abstract]:Ziza is a unique traditional folk art form, originated from the traditional funeral customs in China, its cultural value in funeral activities has far exceeded its own aesthetic value. The process of its emergence and development is closely related to the formation of the national cultural mentality, and is a materialized manifestation of the national cultural mentality, although paper binding has a long history of use in most parts of our country. However, with the development of society, people have diversified cognition to the funeral custom, the living space of the traditional funeral paper tie has been reduced continuously, even have the tendency of disappearing. In order to study and protect this unique folk art, make this skill get the reasonable inheritance. It is necessary to explore the causes of its production, record making skills, and analyze the problems existing in the development of inheritance. The funeral paper in North Henan Province has both universal representativeness and its own uniqueness in the traditional paper banding in various parts of our country. It still maintains the traditional production technology and modelling style, and its unique techniques of engraving and engraving printing. It is rare in other areas. Therefore, this paper takes the funeral paper of North Henan Province as the research object, draws lessons from the method of field investigation in the field of folk art, and interviews the representative artists and works of Ziza. Follow up on the application of paper binding in funeral customs, materials and tools of paper binding, the process of making paper banners, and the image data used. All of them are firsthand data collected through field investigation. The article discusses from five aspects: the first part defines the category of Ziza in the north of Henan Province, and points out the similarities and differences with other areas. The second part describes the materials, tools and process of paper binding in the north of Henan Province, especially the carvings and printing techniques. The third part is the core part of this paper, analyzes and arranges the national cultural mentality contained in the paper binding, as well as the aesthetic form embodied in the paper binding itself; The fourth part lists the various constraints and constraints in the contemporary inheritance and development of paper binding; the fifth part is the conclusion of this article, the funeral paper binding in the future development trend of thinking and prospects.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J528.2

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