从权力在场到审美在场:旅游体验视角下场所精神的变迁——以陕西省兴平市汉武帝茂陵为例

发布时间：2018-05-04 09:59

本文选题：空间 + 场所精神　；参考：《人文地理》2017年02期

【摘要】：在现代大众旅游中,帝王建筑从权力的象征转化为审美的对象。本文以茂陵为例,剖析了其空间关系从权力到审美的转变过程。研究发现,这一转变体现在三个方面。首先,茂陵原有的膜拜价值在两方面转变为展示价值,一是原创艺术的膜拜价值转变为复制品的展示价值,二是权力表征的膜拜价值转变为旅游产品的展示价值;其次,权力的退场和审美的在场通过艺术构造和艺术家得到印证;第三,空间功能元素实现了三个阶段的价值变迁,即从原始实用价值到重构实用价值,再到审美价值的过程。同时,其建构方式从权力关系中场对人的建构转变为审美体验中人对场的建构。总之,帝王陵墓作为现代大众旅游的观赏对象,其场所精神经历了从权力在场到审美在场的变迁。
[Abstract]:In modern mass tourism, the imperial building changed from a symbol of power to an aesthetic object. Taking Maoling as an example, this paper analyzes the transformation process of its spatial relationship from power to aesthetics. The study found that this shift is reflected in three aspects. First of all, the original worship value of Maoling has changed into the display value in two aspects, one is the original art worship value is transformed into the reproduction display value, the other is the power token worship value transforms into the tourism product display value; secondly, The exit of power and the presence of aesthetics are confirmed by the artistic structure and the artist. Thirdly, the spatial functional elements realize the value transition in three stages, that is, from the original practical value to the reconstruction of the practical value, and then to the aesthetic value. At the same time, the mode of construction is changed from the construction of the power relationship midfield to the construction of the field in the aesthetic experience. In a word, the emperors' mausoleum, as an ornamental object of modern mass tourism, has experienced changes from power presence to aesthetic presence.
【作者单位】：东北财经大学旅游与酒店管理学院;
【基金】：国家旅游局2015年度“万名旅游英才计划”(WMYC20151019)
【分类号】：F592.7

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