漫谈现代陶艺观念性

发布时间：2018-07-07 18:27

本文选题：现代陶艺 + 传统陶艺　；参考：《艺术评论》2014年02期

【摘要】：正80年代以来,出于对保守的批判和全盘西化的影响,传统一概为前卫陶艺家所唾弃,然而至90年代中后期,由于后殖民文化意识逐渐被发展中国家的知识分子所厌弃,又因为后现代艺术思潮开启了重新观照、挪用"传统"资源之门,中国的陶艺家在过去"民族化"的基础上,又遭遇了"本土化"情境,因而有了新的思考。艺评家皮道坚将陶艺的此种情况与中国传统水墨发展相提并论,他说,"在中国当代艺术精神中,就物质媒材的古老、艺术传统的悠久博大深厚而言,陶艺语言与水墨艺术语言具有相近的性质和相同的文化背景,也都同样面临在东西文化的碰撞中如何更好地利用文化资源、因势利导完成自身现代嬗变的问题。"中国陶艺不断发生变化过程中的讨论,历来只是针对着各个时期的主流话题,并不需要刻意强调正在讨论中的现代陶艺概念。然而,对于近现代时期占据了
[Abstract]:Since the 1980s, because of the criticism of conservatism and the influence of overall westernization, the tradition has been rejected by avant-garde pottery artists. However, by the middle and late 1990s, because of the postcolonial cultural consciousness, it was gradually rejected by intellectuals in the developing countries. Because the trend of postmodern art has opened the door of reconsidering and misappropriating the "traditional" resources, the ceramic artists in China, on the basis of "nationalization" in the past, have encountered the situation of "localization", so they have a new thinking. Pi Daojian, the art critic, likened this situation to the development of traditional Chinese ink and water. "in the spirit of Chinese contemporary art, in terms of the ancient material medium and the long and profound nature of the art tradition," he said, The ceramic art language and the ink art language have the similar nature and the same cultural background, they are also faced with the problem of how to make better use of the cultural resources in the collision of the eastern and western cultures, and to complete their own modern evolution according to the situation. " The discussion in the changing process of Chinese ceramic art has always been aimed at the mainstream topic of each period, and it is not necessary to emphasize the concept of modern ceramic art under discussion. However, for modern times,
【作者单位】：景德镇陶瓷学院陶瓷美术学院;景德镇陶瓷学院中国陶瓷文化研究所;
【分类号】：J527

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