邮票中的公共性与私密性的依存关系
本文选题:邮票 + 公共性 ; 参考:《西安美术学院》2017年硕士论文
【摘要】:随着科技发达,通信手段逐渐衍生出传真、电话、电脑、手机等各类科技产品,所带来的高效快捷的沟通率是信件所不能比拟的,传统的信件传递方式日渐式微,但邮票并没有随信件发送量的锐减而消失。一方邮票所携带的历史、文化、经济、艺术等各个领域的代表性、标志性图画信息以及其精心设计下而具有的艺术性与欣赏性的精美票面被邮票收藏爱好者们所青睐。邮票作为国家名片,在发行后不仅具有流通职能,同时也具有宣传的作用,有着明显的“公共性”。另一方面,邮票在经设计师、画家绘制时,因个人经历以及审美和对邮票既定主题的理解与情感的不同,带有一定的主观性与私密性。人们在挑选什么样的邮票寄给特定的人时,因着两人关系不同而选择不同主题邮票的这一行为中同样带有了情感的“私密性”。“公共性”与“私密性”伴随邮票的设计、产生、发行、售卖、邮寄等一系列行为,是不可分割相互依存的。本文从五个部分,论述了邮票中的公共性与私密性的依存关系。第一章,介绍了邮票的形式与功能,邮票的产生给人们通讯生活带来的便捷,以及受通讯技术发展的影响邮票虽鲜有使用,但因其内容有着包罗万象的文化内涵,至今仍被大众所喜爱和收藏。第二章从邮票特有的媒介特质和传播属性入手,分析邮票的公共性中包含的社会属性与纪念性特质以及其公共符号所具有的标志性内涵。第三章,从邮票票面创作的主观性和近年来推出的个性化邮票以及邮票在寄信中受私人情感影响而产生的“挑选”行为来论证邮票中所具有的私密性。第四章不仅提出邮票中作为显性存在的公共性,以及隐藏在其中因人为参与而具有的私密性,两者亦是相互依存并在一定条件下能够互相转化的特性。第五章结合个人创作,以《寄给自己的邮票》系列为例,从具有私密性的票面设计到借用邮票形式成为具有公共性的流通物品的外形式这一过程,再到寄给自己而反映的情感的私密性这一相互转化的进程,进一步论证了邮票中公共性与私密性相互依存的关系。使人们能够更加全面、深刻地从不同角度看待和了解邮票。从而以这两重属性为依托,为我们进一步拓展和解读其它艺术形式,找出了基本的思路和内涵解读方法。
[Abstract]:With the development of science and technology, the means of communication have gradually derived various kinds of scientific and technological products, such as fax, telephone, computer, mobile phone and so on. The high and fast communication rate brought about by letters is incomparable to that of letters. The traditional ways of delivering letters are declining day by day. But the stamps did not disappear with a sharp drop in the volume of letters sent. The representativeness of history, culture, economy, art and so on, the iconic picture information and the carefully designed artistic and appreciative face of one side stamp are favored by stamp collectors. As a national business card, stamps not only have circulation function, but also have publicity function. On the other hand, when the stamps are drawn by designers and painters, they are subjective and private because of their personal experience, aesthetic appreciation and the different understanding and emotion of the subject of the stamps. When people choose which stamps to send to a particular person, the behavior of choosing stamps with different themes due to their different relationship also carries an emotional "privacy". "publicity" and "privacy" are closely related to the design, production, distribution, sale and mailing of stamps. This paper discusses the dependence of publicness and privacy in stamps from five parts. The first chapter introduces the form and function of stamps, the convenience that the generation of stamps bring to people's communication and life, and the fact that stamps are seldom used because of the development of communication technology, but because of their all-encompassing cultural connotations, It is still loved and collected by the public. The second chapter starts with the special media characteristics and dissemination attributes of stamps and analyzes the social attributes and commemorative characteristics contained in the publicity of stamps as well as the iconic connotation of their public symbols. The third chapter demonstrates the privacy of stamps from the subjectivity of stamp face creation and the personalization of stamps introduced in recent years, as well as the "selection" behavior of stamps influenced by personal emotion in sending letters. The fourth chapter not only puts forward the publicity of stamp as a dominant existence and the privacy hidden in it because of human participation, but also the characteristics of mutual dependence and mutual transformation under certain conditions. The fifth chapter combines the personal creation, taking the series of "Stamp sent to oneself" as an example, from the design of the private face to the form of borrowing stamps to become the form of public circulation goods. Then to the process of mutual transformation of the privacy of emotion reflected by sending to oneself, the mutual dependence of publicity and privacy in stamps is further demonstrated. So that people can more comprehensive, profound from different perspectives and understanding of stamps. Based on these two attributes, we further expand and interpret other art forms, and find out the basic thinking and connotation interpretation method.
【学位授予单位】:西安美术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J04;F618.9
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