“歪

发布时间：2017-12-28 13:21

本文关键词：“歪拧”的乡村自然史——从《木匠和狗》看中国现代主义的在地性　出处：《文学评论》2017年01期 　论文类型：期刊论文

【摘要】：20世纪80年代中国的现代主义不了了之,90年代中国文学转向传统,乡土叙事构成了主流,也取得瞩目的成就。很长时间当代文学已经遗忘了现代主义这类艺术上的探索。莫言在2003年发表的一篇小说《木匠和狗》,看上去乡土味十足,内里却包含着诡异多变的手法,那些转折、钻圈和穿越,以略微的"歪拧"讲述乡村的故事,这类故事包含着对乡村伦理的尖锐挑战,只有在乡村自然史的意义上才能理解其合法性。这篇小说以其十足的乡土味却包含了诸多的现代主义的观念和方法,由此表明,中国的现代主义可能是在传统、民间和乡土构成的大地上自然而然地完成的,因而它具有在地性。这也让我们去思考中国当代文学的真正的创造性何在?它与世界文学经验构成的连接方式究竟如何理解?它在今天预示的路径在哪里?
[Abstract]:In 1980s, the modernism of China was not clear. In 90s, the Chinese literature turned to the tradition, and the local narrative constituted the mainstream and achieved remarkable achievements. For a long time, contemporary literature has forgotten the artistic exploration of modernism. A story published in 2003, "Mo Yan carpenter and dog", look local flavor, it actually contains a strange and changeful technique, the turning point, passes through and across the country, telling the story in a slightly crooked twist, the story contains a sharp challenge to the rural ethics, only in the natural history of rural areas the significance to understand its legitimacy. This novel contains a lot of modernist ideas and methods with its full local flavor, which shows that Chinese modernism may be completed naturally on the land of traditional, folk and local composition, so it has the nature of land. It also allows us to think about the real creativity of Chinese contemporary literature. How does it connect with the experience of world literature? What is the path of today's prediction?
【作者单位】：北京大学中文系;
【分类号】：I207.42
【正文快照】： 中国当代小说一直在现实主义的旗号下谨慎行事,客观冷静、忠实真实乃是最高的艺术评价,白描手法也一直是让人们赞叹不已的高妙笔法。20世纪80年代初期,欧美现代主义浪潮涌进中国,开始有“意识流”小试牛刀。80年代中期,在“实现现代化”的时代精神鼓舞下,欧美现代主义哲学思潮

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