“传统”与上海想象的建构—新时期以来上海作家的弄堂书写

发布时间：2018-02-08 13:48

本文关键词： 传统上海想象建构弄堂书写　出处：《东北师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：在关于城市书写与文化认同的相关研究中,北方京津济、南方沪港台一直是热门话题,其中上海因典型的多元文化特质而备受瞩目。“传统”与“现代”作为上海想象的两大声部,在有关文学上海的研究中成为一门显学。而吊诡的是,20世纪以来“现代”被描述为上海的“传统”。在书写上海的文本中,无论是呈现现代城市景观、都市精神,还是通过现代主义的叙事技巧建构现代上海形象,“现代”都是唯一可识读标志,而“传统”与上海城市形象建构的关系却未能得到学界正视。毋庸讳言,千年积淀的吴越文化构成了上海精神的内核,老上海传统文化与城市精神是传统上海的“芯子”,而吴越文化传统及其形成的城市精神是沪上作家想象上海传统、认同上海传统的精神标识。想象“老上海传统”,即通过钩沉传统上海城市精神来建构传统上海形象。新时期以来,一些上海作家的上海书写沿袭了中国古典文学的市井叙事传统,并裹挟着上海传统文化内涵,以此完成了从传统意义想象上海、认同上海传统的尝试。而市民文化又是地域传统文化的重要组成部分。弄堂,作为上海典型传统民居建筑,成为作家铺陈市井日常、展现市民阶层审美情趣、文化品位及审美理想的独特空间。通过书写弄堂市井风情和世俗人生,作家建构起了“传统”与文学上海想象、城市文化认同之间的复杂关系。本文运用文化研究、本文细读、社会学研究等方法,以文学与城市文化关系为切入点,力图对新时期以来沪上作家的弄堂书写流脉、“传统”和文学上海的想象式建构与失落之发展有一个整体把握,在此基础上探究文学弄堂与传统上海想象的多重向度,分析阐释传统上海城市文化身份构建及认同的机制。以及通过对比分析,反思传统文化背景下上海想象的文化意义。全文共分五个部分:导言部分简要阐述本文所研究问题的缘起,即文学上海与城市文化身份构建及认同的关系,重点分析沪上作家笔下的弄堂书写与城市想象对文化认同建构的作用。正文由四部分组成:第一章以文化弄堂和文学弄堂为阐释维度,阐释现代文学时期弄堂就已成为沪上作家书写市井世情、想象上海传统、建构传统上海形象的文化地理空间;第二章以上海想象的“现代”与“传统”两大谱系为逻辑起点,分析八、九十年代沪上作家通过讲述弄堂故事、使用弄堂沪语想象上海传统、建构传统上海想象与文化认同的话语实践;第三章运用文化研究和小说叙事理论,通过分析新世纪以来上海社会形势及文学场状况,剖析沪上作家书写弄堂、传统上海想象建构失落的现实,并在比较中进行文化反思;第四章重点分析“传统”与上海想象建构与失落的文化意义。
[Abstract]:Among the related studies on urban writing and cultural identity, the northern Beijing-Tianjin-Jiji, southern Shanghai, Hong Kong and Taiwan have always been hot topics. Among them, Shanghai has attracted much attention for its typical multiculturalism. "tradition" and "modern" are the two major parts of Shanghai's imagination. The paradox is that "modern" has been described as the "tradition" of Shanghai since the 20th century. "Modern" is the only readable symbol, but the relationship between "tradition" and "urban image construction in Shanghai" has not been faced squarely by academic circles. Wuyue culture, which has accumulated for thousands of years, forms the core of the Shanghai spirit. The old Shanghai traditional culture and the urban spirit are the core of the traditional Shanghai, while the Wuyue culture tradition and the urban spirit formed by the Shanghai writers are the Shanghai tradition. Identify with the spiritual symbol of Shanghai tradition. Imagine "Old Shanghai tradition", that is, to construct the traditional Shanghai image by hovering the traditional Shanghai urban spirit. The Shanghai writing of some Shanghai writers follows the traditional narrative tradition of Chinese classical literature, and carries with it the connotation of Shanghai's traditional culture, thus accomplishing the imagination of Shanghai from the traditional meaning. An attempt to identify with the tradition of Shanghai. And citizen culture is an important part of the traditional culture of the region. As a typical traditional residential building in Shanghai, Lidan has become a writer who lays out the daily life of the city and shows the aesthetic interest of the civil class. The unique space of cultural taste and aesthetic ideal. By writing folk customs and worldly life, the writer constructs the complex relationship between "tradition" and literature imagination in Shanghai and city cultural identity. With the relationship between literature and urban culture as the breakthrough point, the sociological research and other methods try to have an overall grasp of the "traditional" and literary Shanghai's imaginative construction and lost development of the writing flow of Shanghai writers since the new period. On this basis, it explores the multiple dimensions of literature lane and traditional Shanghai imagination, analyzes and explains the construction and identification mechanism of traditional Shanghai urban cultural identity, and through comparative analysis, Reflecting on the cultural significance of Shanghai's imagination under the background of traditional culture, the full text is divided into five parts: the introduction briefly explains the origin of the problems studied in this paper, that is, the relationship between literary Shanghai and the construction and identification of urban cultural identity. The main body is composed of four parts: the first chapter takes the cultural lane and the literature lane as the explanation dimension, and analyzes the function of the writing of the lane and the imagination of the city on the construction of the cultural identity in the works of the writers of Shanghai, the text of which is composed of four parts. It has become a cultural and geographical space for Shanghai writers to write about the world situation, imagine the tradition of Shanghai, and construct the image of the traditional Shanghai in the period of modern literature. The second chapter takes the "modern" and "traditional" pedigree of Shanghai's imagination as the logical starting point. In 90s, the writers of Shanghai constructed the discourse practice of traditional Shanghai imagination and cultural identity by telling stories and imagining Shanghai tradition in Litang dialect. The third chapter uses cultural research and novel narrative theory. By analyzing the social situation and literature field of Shanghai since the new century, this paper analyzes the writing of Shanghai writers, the traditional Shanghai imagination constructs the lost reality, and carries on the cultural reflection in the comparison; Chapter 4th focuses on the cultural significance of tradition and Shanghai imagination construction and loss.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206

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