张爱玲小说的现代性再探

发布时间：2018-02-08 23:02

本文关键词： 张爱玲现代性五四新文学　出处：《华东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：本文运用现代性的理论框架,考察了"五四"新文化运动以来中国现代文学发展的脉络。在看到"五四"新文学对"现代性"的利用存在"传统/现代"、"东方/西方"二元对立的思维缺陷后,本文找到了在某种程度上突破了这一缺陷的文学样本——张爱玲,重新用文学历史"整体观"的眼光对张爱玲的小说现代性进行分析。张爱玲是一位对传统文化有自信心、善于从传统文学中寻找资源的作家。因此,《传奇》时期的张爱玲小说,实际上是从她独有的现代观出发,描绘了一条中国社会特有的现代化道路。这条道路背后一直有着隐隐的传统文化力量在支撑。在张爱玲描绘的新旧交杂、中西交杂的中国社会背后,是人生荒凉的底色,这使张爱玲的作品充满了独特的反讽意味。另外,张爱玲这些思想,都通过她纯熟的叙事技巧才得以展现。由于创作环境的改变,张爱玲创作的后期,"自译"和"重写"成为了她写作的主旋律。张爱玲一心以英文写作在美国立足却宣告失败,因为她的英文表达无法被英文世界的读者理解。她的英文中出现了太多"硬译"以及"不英不中"的表达,这与她对中国传统和中文表达方式的依恋有关。而她前期代表性的"意象化叙事"在英文中也丧失了表达作用。即使张爱玲做过一些在细节上吸引西方读者努力,比如加入一些对中国猎奇的因素。但因为她实际上仍然站在一个认同中国文化的立场上,所以她也没有意识到自己的努力其实是失败的。除此之外,结合张爱玲一遍遍重写自己过去的故事的行为,我们看到的是她用不同视角来叙述幼年那个传统家庭的故事的强烈愿望。张爱玲对于自己的创作,也秉持着并不"线性"的现代观。最后,本文得出的结论是,张爱玲是一位真正站在中国文化立场的作家。从她小说现代性的角度来看,她吸收现代思想的同时,也深刻认同传统文化的价值。"苍凉"的底色,正是因为中国社会在自主现代化的过程中所必然陷入的一种境地。
[Abstract]:This paper makes use of the theory of modernity, investigated the development of Chinese modern literature since the 54 "new culture movement. See" using 54 "new literature on" Modernity "of the existence of" tradition and modern "," thinking defects of East and west "binary opposition between the two, this paper found in some breakthrough this defect literature sample -- Eileen Chang, again with the history of literature" holistic "vision of Eileen Chang's modernity analysis. Eileen Chang is one of the traditional cultural self-confidence, good looking for resources from the traditional literature writer. Therefore, the legend of Eileen Chang in the period of the novel < >, actually is a modern concept from her unique perspective, represents a unique social modernization Chinese. Behind this road has been a traditional cultural force in support. Eileen Chang described in the old and new mixed, and mixed Chinese agency Behind, life is bleak background, which makes Eileen Chang's works are full of unique irony. In addition, the Eileen Chang thought, through her skillful narrative techniques are presented. Due to the creation of the environment changes, the late Eileen Chang's creation, "translation" and "re write" became her writing master melody. Eileen Chang was writing in the United States to English based but failed, because her English expression cannot be English readers to understand the world. Her English appeared too much "hard translation" and "expression is neither English nor", this with her in Chinese traditional and Chinese expression. And her attachment the representative of the "imagery narrative" in English also lost the expression. Even if Eileen Chang had done some efforts of appealing to the Western readers in detail, such as adding some of the China novelty factor. But because she actually still standing in a. Stand with China culture, so she is not aware of their efforts is actually a failure. In addition, with Eileen Chang again to rewrite his story of the past behavior, we see her to the traditional narrative juvenile family story with a different perspective of a strong desire. Eileen Chang for his creation. It is not "linear" with the modern values. Finally, the paper draws the conclusion that Eileen Chang is a real stand in the Chinese cultural position of writer. Her novels from the modern perspective, she absorbed the modern ideas at the same time, but also profound recognition of the value of traditional culture. The "desolate" background, it is because a position in society in the process of modernization Chinese independent in the inevitable fall into.

【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

【参考文献】