论汉代衍“易”类诗辞的引《诗》用“诗”艺术及其意义

发布时间：2018-06-15 17:51

本文选题：汉代 + 衍“易”诗辞　；参考：《学术交流》2017年06期

【摘要】：《焦氏易林》占辞、《太玄》赞辞、《周易参同契》炼丹辞的诗体艺术分为两个层面,一是引《诗》丰富多彩,保留了许多汉代诗学的文献资料,属狭义的诗学范畴,引《诗》入占筮炼丹辞,融入象征意义,是《诗》的爻辞丹语化。二是占筮辞、炼丹辞用韵文诗体写成,是一般意义上的诗歌艺术,《易林》以四言诗体为主,《太玄》以散体韵文为主,《周易参同契》包括四言体、五言体、骚体、三言体等。占筮、炼丹辞用诗体书写,则是爻辞丹语的诗化。汉代占筮、炼丹辞的诗体艺术明显而突出,对后代签诗、丹诗的创作产生了重要影响。
[Abstract]:The poetic art of "Jiaoshi Yilin", "Taixuan" praise, "Zhou Yi Shen Tong Qi", "Refining Dan" is divided into two levels. The first is that the poetry is rich and colorful, which retains a lot of poetics documents of the Han Dynasty and belongs to the narrow poetic category. The introduction of divination into the alchemy of Divination and its integration with symbolic meaning are the line words of Poems. Second, divination and alchemy are written in verse, which is the art of poetry in general sense. "Yi Lin" is mainly composed of four-character poetry, "Taixuan" is mainly written in prose, and "Zhou Yi Shen" includes four-character, five-character, Sao, three-character and so on. Divination and alchemy are written in poetic style, but they are poetic in line. In the Han Dynasty, divination and the poetic style of the alchemy were obvious and prominent, which had an important influence on the poems signed by the later generation and the creation of Dan's poems.
【作者单位】：北京师范大学文学院;
【基金】：中国博士后基金第57批一等资助项目“汉代易学类诗辞研究”(2015M570423) 国家社科基金青年项目“先秦两汉占丹辞研究”(16CZW034)
【分类号】：I207.22

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