从审美之“趣”到娱乐之“趣”——晚明小说观念中的趣味化研究
发布时间：2018-08-13 18:58
【摘要】：在晚明特定的社会思潮、哲学思潮影响下,"趣"这一审美范畴逐渐失却了其原本的空灵超俗之味,沾染了不少世俗逐乐的自适之味,由审美之维滑向了娱乐之维,这个趋势在晚明的小说观念中尤为显著。晚明时期,越来越多的文人敢于正视自己的享乐需求,在此种背景下发展起来的小说评点也开始追求好玩和有趣的特点。晚明的小说序跋也集中反应了当时的小说创作者和阅读者对于小说的态度和小说功用的看法。不同于小说评点中对于趣味不加掩饰的追求,序跋的情况较为复杂一些,其对小说所具有的趣味性观念在表述上有肯定,有否定,有坦而言之,也有王顾左右而言他的。
[Abstract]:Under the influence of the specific social trend and philosophical trend of thought in the late Ming Dynasty, the aesthetic category of "interest" gradually lost its original taste of supervulgarity, and became contaminated with the taste of self-adaptation of worldly pleasure, and the aesthetic dimension slid to the dimension of entertainment. This trend is especially evident in the late Ming novel concept. In the late Ming Dynasty, more and more scholars dared to face up to their needs for pleasure. The preface and postscript of the novels in late Ming Dynasty also reflect the attitudes and functions of the writers and readers of the novels at that time. Different from the pursuit of undisguised interest in the commentary of the novel, the preface and postscript are more complicated. The interesting concept of the novel is expressed positively, negativingly, as well as far as Wang Gu is concerned.
【作者单位】： 复旦大学中国语言文学系;
【分类号】：I207.41
本文编号：2181886
[Abstract]:Under the influence of the specific social trend and philosophical trend of thought in the late Ming Dynasty, the aesthetic category of "interest" gradually lost its original taste of supervulgarity, and became contaminated with the taste of self-adaptation of worldly pleasure, and the aesthetic dimension slid to the dimension of entertainment. This trend is especially evident in the late Ming novel concept. In the late Ming Dynasty, more and more scholars dared to face up to their needs for pleasure. The preface and postscript of the novels in late Ming Dynasty also reflect the attitudes and functions of the writers and readers of the novels at that time. Different from the pursuit of undisguised interest in the commentary of the novel, the preface and postscript are more complicated. The interesting concept of the novel is expressed positively, negativingly, as well as far as Wang Gu is concerned.
【作者单位】： 复旦大学中国语言文学系;
【分类号】：I207.41
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