宋金元《满庭芳》词研究
发布时间：2018-08-13 21:00
【摘要】：《满庭芳》是宋金元时期的常用长调,分上下两片,体式变化复杂,别名众多。现存较早且较可信的《满庭芳》词出现在北宋初期,因此有的学者也谓《满庭芳》调为“北宋新声”。宋金元的《满庭芳》词数量极多,诸如晏几道、苏轼、秦观、周邦彦等人均有作品传世,留下了不少名篇佳作。本文旨在探究宋金元时期这一词调的发展状况,分析这一词调的特征,挖掘这一词调的词学价值。本文共分为导言、正文、结语三个部分。导言部分主要从研究意义、研究现状及趋势、研究方法、创新之处进行论述。正文部分共分为五章,第一章主要辨析了《满庭芳》这一词调的调名出处,以《满庭芳》之调名取自柳宗元《赠江华长老》诗更为可信。同时也梳理了《满庭芳》的异名及其所属宫调与声情的情况。第二章主要探讨了《满庭芳》词的体制,在统计宋金元《满庭芳》词所有体式的基础上总结其常用体式和用韵特点,探究其句法、章法与表情达意之间的内在联系。第三章梳理了《满庭芳》词在宋金元四百年间的演进轨迹,挖掘各个朝代《满庭芳》词的不同特点。第四章主要探究了《满庭芳》词的题材特征及其嬗变,分析了《满庭芳》词展现出的文化功能与文化意蕴。第五章探讨了《满庭芳》词与曲之关系,通过比较《满庭芳》词与[满庭芳]曲的同异,一窥《满庭芳》词曲递变之过程。结语部分主要阐释了宋金元时期《满庭芳》词的发展轨迹及其在后世所拥有的极高接受度。
[Abstract]:Manting Fang is a common long tune in Song, Jin and Yuan dynasties. The existing and credible words "Man Ting-fang" appeared in the early Northern Song Dynasty, so some scholars also called "Manchu Fang" as "New Sound of Northern Song Dynasty". Song, Jin and Yuan had a lot of words, such as Yan Jidao, Su Shi, Qin Guan, Zhou Bangyan, etc. The purpose of this paper is to explore the development of the ci tune in Song, Jin and Yuan dynasties, to analyze the characteristics of this word tone, and to excavate the ci poetry value of this word tone. This paper is divided into three parts: introduction, text and conclusion. The introduction part mainly discusses the significance, the present situation and the trend, the research method and the innovation. The text is divided into five chapters. The first chapter mainly analyzes the origin of the tone of the word "Man Ting-fang", which is more credible with the dionym of "Man Ting-fang" taken from Liu Zongyuan's poem "Gift to Jiang Hua Presbyterian". At the same time, it also combed the synonyms of Manting Fang and its affiliated tone and sound situation. The second chapter mainly discusses the system of "Man Ting-fang" ci, on the basis of statistics of all the stylistic types of Song, Jin and Yuan (Man Ting-fang) ci, summarizes its commonly used style and rhyme characteristics, and probes into the internal relationship between its syntax, composition and expression. The third chapter combs the evolution of the ci in Song, Jin and Yuan dynasties, and excavates the different characteristics of the ci. The fourth chapter mainly explores the theme characteristics and evolution of the ci, and analyzes the cultural functions and cultural implications of the ci. The fifth chapter discusses the relationship between the ci and the song. By comparing the similarities and differences between the ci and the song, we can see the process of the change of the ci song. The conclusion mainly explains the development track of the ci in Song, Jin and Yuan dynasties and its extremely high acceptance in later generations.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.23
本文编号：2182173
[Abstract]:Manting Fang is a common long tune in Song, Jin and Yuan dynasties. The existing and credible words "Man Ting-fang" appeared in the early Northern Song Dynasty, so some scholars also called "Manchu Fang" as "New Sound of Northern Song Dynasty". Song, Jin and Yuan had a lot of words, such as Yan Jidao, Su Shi, Qin Guan, Zhou Bangyan, etc. The purpose of this paper is to explore the development of the ci tune in Song, Jin and Yuan dynasties, to analyze the characteristics of this word tone, and to excavate the ci poetry value of this word tone. This paper is divided into three parts: introduction, text and conclusion. The introduction part mainly discusses the significance, the present situation and the trend, the research method and the innovation. The text is divided into five chapters. The first chapter mainly analyzes the origin of the tone of the word "Man Ting-fang", which is more credible with the dionym of "Man Ting-fang" taken from Liu Zongyuan's poem "Gift to Jiang Hua Presbyterian". At the same time, it also combed the synonyms of Manting Fang and its affiliated tone and sound situation. The second chapter mainly discusses the system of "Man Ting-fang" ci, on the basis of statistics of all the stylistic types of Song, Jin and Yuan (Man Ting-fang) ci, summarizes its commonly used style and rhyme characteristics, and probes into the internal relationship between its syntax, composition and expression. The third chapter combs the evolution of the ci in Song, Jin and Yuan dynasties, and excavates the different characteristics of the ci. The fourth chapter mainly explores the theme characteristics and evolution of the ci, and analyzes the cultural functions and cultural implications of the ci. The fifth chapter discusses the relationship between the ci and the song. By comparing the similarities and differences between the ci and the song, we can see the process of the change of the ci song. The conclusion mainly explains the development track of the ci in Song, Jin and Yuan dynasties and its extremely high acceptance in later generations.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.23
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