南帆文学批评思想研究
[Abstract]:As a famous literary critic in contemporary China, Nanfan not only has a solid foundation of Chinese culture, is good at studying "China problem" with the help of some unique ways of thinking in ancient Chinese literary theory, but also has a broad view of western learning. Especially for the western modern and post-modern literary theory reference and application vision is unique, critical consciousness and creativity. With its deep academic foundation and wide academic horizon, Nanfan's literary criticism has the rare vigor and drive of contemporary literary criticism, showing its unique basic characteristics: paying attention to formal reflection, highlighting aesthetic character. The consideration of language and culture reach the organic fusion of internal criticism and external criticism of literature, the use of image thinking, the expression of poetic language and the light of reason make his writer criticism and theorist criticism from a dual perspective. The pursuit of mental freedom and the establishment of statute consciousness have achieved its dialectical and unified criticism style of freedom and statute. The ability to reflect on meta-theory and the view of literary criticism indicate that Nanfan has reached the fourth level of literary criticism put forward by Yang Shou-sen, which is "theorized" in contemporary Chinese literary criticism. The present situation of "missing" and "flooding" has great enlightening significance. The first part of the article combs the development of Nanfan's literary criticism from two aspects: the ideological origin and academic process of Nanfan's literary criticism. The second part discusses the basic characteristics of Nanfan's literary criticism and its concrete embodiment in practice. The basic characteristics of Nanfan's literary criticism are discussed from three aspects-the organic integration of internal and external literary criticism. The author's creative experience and theorist's criticism experience are applied comprehensively, and the criticism style is dialectical and unified of freedom and stipulation, while the third part mainly discusses the value of Nanfan's literary criticism thought from the angle of contemporary Chinese literary criticism. Meaning and its limitation. The author tries to generalize Nanfan's thoughts of literary criticism in an all-round way and hopes to provide new enlightenment to the researchers of contemporary Chinese literary criticism through this study.
【学位授予单位】:河南师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I206.7
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