从讽刺到反讽——莫言对鲁迅创作手法和观念的继承与发展
发布时间：2018-09-13 07:11
【摘要】：整体观之,鲁迅是以讽刺来营构其艺术大厦的,其小说特别是杂文的一个重要手法是讽刺,可以分为三个方面:其一,对于那些“哀其不幸怒其不争”的阿Q、祥林嫂、孔乙己们,鲁迅是以表面冷静实则充满温暖地进行“热讽”的;其二,对那些专制暴君及其帮忙帮闲的文人,予以无情的冷嘲;其三,对于自我,抱持一定的反讽态度。莫言的文学创作与鲁迅有着一种内在的联系,又是对后者独具一格的继承与发展。他借鉴了鲁迅对自我、历史、人性和时代的反思批判精神,又发挥了自己的优长,并根据所置身的时代和社会的特点,大量地、高频地、高超地运用和创造了许多从手法、修辞、审美来说称得上是反讽的作品。莫言往往借助荒诞空灵、汪洋恣肆的意象和想象,吸收民间文学和文化资源,特别结合了自嘲,以其来自于生命体验而凝练成的反讽,喜剧化地进行各种滑稽叙述实验,最后营构了自己的高密东北乡奇异虚幻、充满魔幻色彩的小说世界。
[Abstract]:On the whole, Lu Xun uses satire to construct his art edifice. One of the important techniques in his novels, especially essays, is satire, which can be divided into three aspects: first, to those Ah Q who "mourn his misfortune and anger his anger," Xianglin Sister. Kong Yiji, Lu Xun carried out "hot irony" on the surface of calm, but full of warmth; second, to those despotic tyrants and their help to help the literati, to give ruthless cold mockery; third, to hold a certain ironic attitude towards themselves. Mo Yan's literary creation has an internal relation with Lu Xun, and it is a unique inheritance and development of the latter. He drew lessons from Lu Xun's critical spirit of reflection on himself, history, human nature and times, and gave play to his own merits, and according to the characteristics of the times and society he placed himself in, he used and created a lot of techniques in a large, high-frequency and superb manner. Rhetoric, aesthetically speaking, is an ironic work. Mo Yan often absorbs folklore and cultural resources with the help of absurd and empty spirits, wanton imagery and imagination, and especially combines self-mockery with satire from the life experience, and carries out various comic narrative experiments in a comic way. At last, Ying-ying constructs his strange fictional world full of magic colors in the Northeast Township of Gaomi.
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本文编号：2240440
[Abstract]:On the whole, Lu Xun uses satire to construct his art edifice. One of the important techniques in his novels, especially essays, is satire, which can be divided into three aspects: first, to those Ah Q who "mourn his misfortune and anger his anger," Xianglin Sister. Kong Yiji, Lu Xun carried out "hot irony" on the surface of calm, but full of warmth; second, to those despotic tyrants and their help to help the literati, to give ruthless cold mockery; third, to hold a certain ironic attitude towards themselves. Mo Yan's literary creation has an internal relation with Lu Xun, and it is a unique inheritance and development of the latter. He drew lessons from Lu Xun's critical spirit of reflection on himself, history, human nature and times, and gave play to his own merits, and according to the characteristics of the times and society he placed himself in, he used and created a lot of techniques in a large, high-frequency and superb manner. Rhetoric, aesthetically speaking, is an ironic work. Mo Yan often absorbs folklore and cultural resources with the help of absurd and empty spirits, wanton imagery and imagination, and especially combines self-mockery with satire from the life experience, and carries out various comic narrative experiments in a comic way. At last, Ying-ying constructs his strange fictional world full of magic colors in the Northeast Township of Gaomi.
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本文编号：2240440
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