自贡西秦会馆建筑装饰艺术与文化内涵研究

发布时间：2018-07-16 17:33

【摘要】：自贡西秦会馆由陕西盐商始修于清乾隆元年,在全国会馆中修建年代属中晚,是自贡地区最早的会馆,也是整个自贡地区建筑规模最大、装饰最为华美的会馆。其建筑与装饰艺术大气精美,是当时垄断自贡盐业市场的陕西盐商雄厚财力的体现,也是他们自身价值观和审美情趣的体现。同时,西秦会馆还体现出川南与秦晋地区建筑与装饰的特色和手法是如何相互影响、相互融合的,展现出本土文化与外来文化的交流与碰撞。本文是对西秦会馆建筑装饰艺术及其文化内涵的个案专题研究。力求通过对西秦会馆建筑与装饰艺术详细的实地调查和研究,在掌握第一手资料的基础上,系统地梳理和分析西秦会馆的建造背景,历史文化渊源,建筑布局、结构、造型、功能,建筑装饰实例、技法、题材、表现手法、色彩等,将建筑与装饰还原到社会变迁、民俗传承和审美嬗变的背景中,以揭示其背后蕴藏的历史、文化与艺术内涵;并将西秦会馆与山西解州关帝庙进行个例比较,通过更接近本源文化的关帝庙和与巴蜀“杂交”的陕西会馆之间的差异,解析“源”与“流”,把握文化与技术的传承变迁与地域性表达。在实地调查的基础上,本文对西秦会馆雕刻的题材、形式进行了梳理和分析,在空间上将其还原至会馆建筑场所,在时间上将其归复到清代社会转型时期,尝试通过此途径对会馆装饰艺术的文化整合功能做初步的探讨。希望通过本文的个案探讨,为研究整个巴蜀地区清代会馆建筑与装饰艺术提供参考性较强的个案实例,为以后相关领域的研究提供较为详实的材料,为研究视觉艺术在社会发展变迁中起到的文化功能提供可循的依据,在此基础上进一步透析自贡社会历史文化状况,为西秦会馆的保护与发展、自贡文化传承和历史名城的建设发展作出有用的探索。
[Abstract]:Zigong Xiqin Guild Hall was built in the first year of Qianlong in Qing Dynasty by Shaanxi salt merchants. It was built in the middle and late years of the whole nation. It is the earliest hall in Zigong area and the largest building in Zigong area with the most beautiful decoration. The fine atmosphere of architecture and decorative art is the embodiment of the rich financial resources of Shaanxi salt merchants who monopolized the salt market of Zigong at that time, as well as the embodiment of their own values and aesthetic tastes. At the same time, the West Qin Guild Hall also embodies the characteristics and techniques of architecture and decoration in the south of Sichuan and Qin Jin, and shows the exchange and collision between native culture and foreign culture. This paper is a case study of the architectural decoration art and its cultural connotation of the Western Qin Guild Hall. Through the detailed field investigation and research on the architecture and decorative art of the Western Qin Guild Hall, and on the basis of mastering first-hand information, systematically combing and analyzing the construction background, historical and cultural origin, architectural layout, structure, modeling of the Western Qin Guild Hall, Functions, architectural decoration examples, techniques, themes, expression techniques, colors, etc., to restore architecture and decoration to the background of social change, folk heritage and aesthetic evolution, in order to reveal the historical, cultural and artistic connotations behind it; By comparing the Western Qin Guantuan Hall with the Guandi Temple in Shanxi Province, the paper analyzes the differences between the Guandi Temple, which is closer to the original culture, and the Shaanxi Huiguan, which is "hybrid" with Bashu, and analyzes the "source" and "flow". Grasp the cultural and technological heritage changes and regional expression. On the basis of field investigation, this paper combs and analyzes the theme and form of the sculpture of the Western Qin Guild Hall, restores it in space to the building site of the Guild Hall, and returns it in time to the period of social transformation in the Qing Dynasty. This paper attempts to explore the cultural integration function of the hall decoration art through this approach. Hope through the case study of this paper, for the whole Bashu area of the Qing Dynasty Hall building and decorative arts to provide a reference case examples, for the future research in related fields to provide more detailed materials, In order to study the cultural function of visual art in the social development and change, and on the basis of this, the author further analyzes the social, historical and cultural conditions of Zigong, so as to protect and develop the Western Qin Guild Hall. Zigong cultural heritage and the construction and development of historical cities to make useful exploration.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TU242

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