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物化与心境:明清江南文人的书斋

发布时间:2018-08-31 13:35
【摘要】:“江南”既不是城市也不是省份,而是被历代文人所美化了的风雅之地,“江南”一词更是与风雅的文人生活几乎同义。的确,江南文人的趣味代表了中国传统审美的一个层面,既不同于民间风尚,又不同于皇家气度。正如《诗经》风、雅、颂三个部分一样,文人意趣成为“雅”的定义标准。一个时代的文人书斋作为文人群体最具心境的场所,共同阐释时代清雅趣味及其流变方向。它涵盖了院落及建筑、陈设与文玩清供诸多层面,也间接反映了经济文化对文人趣味的影响。本文通过对明清江南文人书斋的梳理,对文人风尚、清雅与凡俗进行新的探讨,从物化的书斋内容来窥探文人的书案生活。
[Abstract]:"Jiangnan" is neither a city nor a province, but an elegant place beautified by literati of all dynasties, and the word "Jiangnan" is almost synonymous with the life of elegant literati. It is true that the tastes of the literati in the south of the Yangtze River represent a level of Chinese traditional aesthetics, which is different from both folk customs and royal demeanour. Just as the wind, elegance and praise of the Book of songs, literati interest becomes the standard of definition of elegance. As the most mood place of the literati group, the literati of a time explained the elegant taste of the times and its changing direction. It covers the courtyard and architecture, furnishes and plays clearly for various levels, and indirectly reflects the influence of economic culture on the taste of literati. Through combing the literati's study in the south of the Yangtze River in Ming and Qing dynasties, this paper makes a new discussion on the style, elegance and common custom of the literati, and probes into the life of the literati's book case from the materialized contents of the study.
【作者单位】: 中国装饰杂志社;

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