《长物志》中的造园艺术及其审美意蕴
发布时间：2018-10-19 20:42
【摘要】：《长物志》为中国造园史上的一部名著。该书以园林营造为主线,形象地揭示了那时文人清居生活的环境与追求,是研究晚明文人园林审美艺术与价值的重要文献。但是,学者对《长物志》的关注和研究并不多,并且视角不够全面。不是脱离审美只谈造园艺术,就是脱离园林谈美学意蕴。这两种研究方法都是单一且不可持续的,不能挖掘出文震亨在《长物志》中所蕴含的真正意义和价值。因此,本文将造园艺术与审美意蕴相结合,从美学的角度探索《长物志》中的造园艺术和审美价值。本文以《长物志》作为研究对象,结合晚明时期的造园实践,从美学的角度分析当时的造园风格,探讨和发掘晚明文人士大夫的生活趣味和审美追求。论文主要从三个方面展开论述:首先,根据文震亨所处的历史时代,以及文震亨生平、作品,分析其园林转向的原因,即消极入世与半仕半隐的无奈;寄情山水与悠闲清居的解脱;清傲自为和文氏家风的显现。文震亨在情感寄托和精神慰藉上的变化为其转向园林营造提供了契机,并展现出当时文人的普遍心理矛盾和“园林热”的现象。其次,结合《长物志》室庐篇以及有关的建筑构件,由浅入深分析其中的造园艺术。第一层是从三个方面论述园林的营造艺术,即适用、适宜、循古的营造理念,取式而造、因地而制、引曲入胜的营造手法,以及生活与艺术共创、内心与外在兼修的营造原则;第二层是论述园林的布局艺术,即从功能性、协调性和人性化的分别阐释;第三层是论述园林的装饰艺术,即顺其性而自然、简其色而雅致的装饰风格。文震亨在造园艺术上的所追求的艺术风格,展现了晚明时期文人园林的营造风尚和价值趋向,同时也体现了当时“文人清居”的生活理念和生活方式。最后,总结文震亨及其晚明文人的生活趣味和审美追求。本文在园林营造过程中,发掘文震亨所表达的审美意蕴,即简约朴素的审美价值、雅致生趣的审美趣味和静观内转的审美观照。文震亨通过《长物志》,以其独特的视角和方式,展现了晚明文人园林的生活观和审美观,这对当代人生活方式的改善具有借鉴价值。
[Abstract]:The chronicles of the long things is a famous work in the history of Chinese gardening. The book, which takes the garden construction as the main line, vividly reveals the environment and pursuit of the literati living in the Qing Dynasty, and is an important document to study the aesthetic art and value of the literati gardens in the late Ming Dynasty. However, scholars do not pay much attention to and research on Longwu Records, and the perspective is not comprehensive enough. Not only the art of gardening, but also the meaning of aesthetics. These two research methods are both single and unsustainable, which can not excavate the true meaning and value of Wen Zhenheng in the chronicles of long things. Therefore, this paper combines the art of gardening with aesthetic implication, and explores the art and aesthetic value of gardening from the perspective of aesthetics. In this paper, the author takes Longwu Records as the research object, combining with the gardening practice in the late Ming Dynasty, analyzes the gardening style from the angle of aesthetics, and probes into and explores the life interest and aesthetic pursuit of the literati and officials of the late Ming Dynasty. This paper mainly discusses from three aspects: firstly, according to the historical era in which Wen Zhenheng lived, as well as the life and works of Wen Zhenheng, the author analyzes the reasons for his garden turning, that is, passive entry into WTO and half-hidden helplessness; Feelings of landscape and leisurely Qingju liberation; Qing haughtiness and the appearance of the style of the Wen family. Wen Zhenheng's changes in emotional sustenance and spiritual comfort provided an opportunity for him to turn to the garden, and showed the general psychological contradiction and the phenomenon of "garden craze" of the literati at that time. Secondly, the author analyzes the art of gardening from the perspective of "Changwu Chronicles" and related architectural components. The first layer is from three aspects to discuss the garden construction art, that is, applicable, appropriate, according to the ancient construction idea, take form and build, because of the ground and system, lead to win the construction techniques, and life and art create, heart and external repair of the building principles; The second layer is to discuss the layout art of garden, that is, from the function, coordination and humanization, respectively, and the third layer is to discuss the decorative art of garden, that is, the decoration style is natural and natural, simple in color and elegant in color. The artistic style pursued by Wen Zhenheng in the art of garden construction showed the fashion and value trend of the literati gardens in the late Ming Dynasty, and also reflected the life concept and life style of the literati living in Qing Dynasty at that time. Finally, it summarizes the life interest and aesthetic pursuit of Wen Zhenheng and his late Ming literati. In the process of garden construction, this paper explores the aesthetic meaning expressed by Wen Zhenheng, that is, the simple and simple aesthetic value, the elegant aesthetic taste and the aesthetic light of the inner turning of the quiet view. Wen Zhenheng showed the outlook of life and aesthetics of literati gardens in the late Ming Dynasty by his unique visual angle and way, which has reference value for the improvement of modern people's way of life.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TU986.1
本文编号：2282309
[Abstract]:The chronicles of the long things is a famous work in the history of Chinese gardening. The book, which takes the garden construction as the main line, vividly reveals the environment and pursuit of the literati living in the Qing Dynasty, and is an important document to study the aesthetic art and value of the literati gardens in the late Ming Dynasty. However, scholars do not pay much attention to and research on Longwu Records, and the perspective is not comprehensive enough. Not only the art of gardening, but also the meaning of aesthetics. These two research methods are both single and unsustainable, which can not excavate the true meaning and value of Wen Zhenheng in the chronicles of long things. Therefore, this paper combines the art of gardening with aesthetic implication, and explores the art and aesthetic value of gardening from the perspective of aesthetics. In this paper, the author takes Longwu Records as the research object, combining with the gardening practice in the late Ming Dynasty, analyzes the gardening style from the angle of aesthetics, and probes into and explores the life interest and aesthetic pursuit of the literati and officials of the late Ming Dynasty. This paper mainly discusses from three aspects: firstly, according to the historical era in which Wen Zhenheng lived, as well as the life and works of Wen Zhenheng, the author analyzes the reasons for his garden turning, that is, passive entry into WTO and half-hidden helplessness; Feelings of landscape and leisurely Qingju liberation; Qing haughtiness and the appearance of the style of the Wen family. Wen Zhenheng's changes in emotional sustenance and spiritual comfort provided an opportunity for him to turn to the garden, and showed the general psychological contradiction and the phenomenon of "garden craze" of the literati at that time. Secondly, the author analyzes the art of gardening from the perspective of "Changwu Chronicles" and related architectural components. The first layer is from three aspects to discuss the garden construction art, that is, applicable, appropriate, according to the ancient construction idea, take form and build, because of the ground and system, lead to win the construction techniques, and life and art create, heart and external repair of the building principles; The second layer is to discuss the layout art of garden, that is, from the function, coordination and humanization, respectively, and the third layer is to discuss the decorative art of garden, that is, the decoration style is natural and natural, simple in color and elegant in color. The artistic style pursued by Wen Zhenheng in the art of garden construction showed the fashion and value trend of the literati gardens in the late Ming Dynasty, and also reflected the life concept and life style of the literati living in Qing Dynasty at that time. Finally, it summarizes the life interest and aesthetic pursuit of Wen Zhenheng and his late Ming literati. In the process of garden construction, this paper explores the aesthetic meaning expressed by Wen Zhenheng, that is, the simple and simple aesthetic value, the elegant aesthetic taste and the aesthetic light of the inner turning of the quiet view. Wen Zhenheng showed the outlook of life and aesthetics of literati gardens in the late Ming Dynasty by his unique visual angle and way, which has reference value for the improvement of modern people's way of life.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TU986.1
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