围合的时空艺术

发布时间：2018-03-25 02:12

本文选题：时空观　切入点：古典园林　出处：《河南大学》2012年硕士论文

【摘要】：中日古典园林是中日古典建筑文化中特殊一个文化载体，是中日最早时期真正意义上的“以人为本”的环境艺术理论的倡导者。它们既包含有形的物质构筑要素，就是现代人所认为的三维空间构筑要素：诸如山，池，，建筑体，植被，以及在空间中行走的人等，在艺术造诣上，又是中日本源文化的历史结晶，其核心是社会意识形态，是中日民族精神的产物。中国古典园林中是以表现“天人和一”①围合的时空观，是国学，佛学，道家，山水画艺术，古典木质建筑学等综合的时空艺术，日本古典园林是在中国园林直接影响下发展起来的，在某种程度上说，它是中国古代精神文明在日本园林中的吸收与传承，中华民族与大和民族所产生的思想文化，物质空间的不同，使得中日园林的精神互异，日本古代文化是一种合金文化，它是在吸收和融化异质文化的基础上产生的心生命形态，从而使日本造园中的时空观，以至于日本民族文化特征的继承和延续，并在高层次上获得了发展，因此日本园林文化并不是普通意义上的“舶来文化”②，而是日本民族精神与民族艺术的的综合体现。东方人对大自然的态度是和自然界成为朋友，认知自然，了解自然，感受自然，在这个基础上，东方古典园林再把浩瀚的自然界用转移的方式带领到小范围的园林空间中，用空间的围合来表达东方人惯有的“天人和一”的时空观。本文借助一些中日园林产生的历史资料，从园林这一有形的时空艺术实体中流露出来的中日文化中不同的时空概念观，分析在中日历史情势和生活环境下，时空观所表示的本源的空间艺术世界。
[Abstract]:Sino-Japanese classical garden is a special cultural carrier in Chinese and Japanese classical architectural culture, and an initiator of the "people-oriented" environmental art theory in the real sense of the earliest period of Sino-Japanese architecture. It is what modern people think of as elements of three-dimensional space construction: such as mountains, pools, architectural bodies, vegetation, and people walking in space. In terms of artistic attainments, they are also the historical crystallization of the source culture of Central Japan, the core of which is social ideology. It is the product of the national spirit of China and Japan. In Chinese classical gardens, the space-time view of "Heaven and Man and one" is a comprehensive space-time art of Chinese studies, Buddhism, Taoism, landscape painting, classical wood architecture, etc. Japanese classical gardens are developed under the direct influence of Chinese gardens. To some extent, they are the absorption and inheritance of ancient Chinese spiritual civilization in Japanese gardens, and the ideological and cultural development of the Chinese nation and the Daiwa nation. The difference of material space makes the spirit of Chinese and Japanese gardens different. The ancient Japanese culture is a kind of alloy culture, which is the life form of the heart on the basis of absorbing and melting the heterogeneous culture, thus making the view of time and space in Japanese gardening. Therefore, Japanese garden culture is not a "foreign culture" in the ordinary sense, but a comprehensive embodiment of Japanese national spirit and national art. Oriental people's attitude towards nature is to become friends with nature, to know nature, to understand nature, and to feel nature. On this basis, the Oriental classical garden leads the vast natural world to a small area of garden space in a shifting way. In this paper, the historical data of Chinese and Japanese gardens are used to express the time-space view of "Heaven, Man and one", which is used by the oriental people. Based on the different concepts of space and time in Chinese and Japanese culture, this paper analyzes the original space art world expressed by the view of time and space in the historical situation and living environment of China and Japan.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：TU986.1

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