丽江纳西族东巴神兽木偶的悲情释意

发布时间：2018-01-13 08:16

本文关键词：丽江纳西族东巴神兽木偶的悲情释意　出处：《昆明理工大学》2012年硕士论文　论文类型：学位论文

【摘要】：木偶是东巴教中产生的一种木雕祭祀物,雕刻的主要内容是神、鬼、精灵。伟大的东巴艺术有着悠久的历史,并随着社会的发展而不断的发展着。木偶也随着社会的发展,人们的心理和伦理关系不断的更新着。但是,现在社会中,它渐渐的淡出舞台。学者对它的研究褒贬不一。当道德与艺术相碰撞,会产生什么结果。用局外的角度来分析东巴艺术,是单纯的艺术审美,还是有史以来纳西族审美经验的产物呢?木雕作为艺术品,是否得到了艺术的肯定,生活对艺术的影响是否包含着道德感。神兽木偶到底应该是高尚的,还是恶的代表。文化与文化的冲突碰撞,在这个范围,艺术同样面临影响。提供了悲剧的有力论据。艺术的美与这种关系之间的有何区别。是本文研究的重点。文章主要分为三个部分,来展开研究：第一部分,从历史的角度来分析。用时间顺序来分析木偶的渊源和发展变化。这个角度中,看到丽江纳西族社会经过发展,文化上有几次重要的转折。从而对宗教和艺术产生了间接的影响。第二部分,从艺术与精神需求方面来分析。木偶作为东巴文化艺术,带给纳西族社会的艺术需求和精神需求分析。其中,涉及到了本土的艺术价值和审美经验,对于木偶的发展和未来,又会有什么改变。这种悲剧意识下产生的美与其他艺术究竟有什么区别。第三部分,从艺术的表现手法来分析研究,神兽木偶的功能美和形式感美。根据前面两个部分的研究,分析悲剧意识与形式感之间的关系。第四部分,从预见的角度来分析神兽木偶未来的发展和文化继承。如今,社会飞速发展,科学进步,古老而神秘的神兽木偶,是该被社会淘汰还是应该继承呢?值得我们研究和发现。以上就是整篇文章的构架。希望灿烂的东巴文化不会随着社会的变更而消失。它的神秘之处值得我们继续研究和探讨。
[Abstract]:Puppet is a kind of woodcarving sacrifice produced in Dongba religion, the main content of which is god, ghost and spirit. The great Dongba art has a long history. And with the development of society and the development of constantly. Puppets also with the development of society, people's psychological and ethical relations are constantly updated. However, now in the society. It gradually fade out of the stage. Scholars of its research is mixed. When morality and art collide, what results. Dongba art analysis with an external perspective, is a simple art aesthetic. Or is it the product of the Naxi aesthetic experience? Wood carving as a work of art, whether it has been affirmed by art, whether the influence of life on art contains moral sense, whether the god and beast puppet should be noble, or the representative of evil. Culture and culture conflict collision. In this scope, art also faces influence. It provides a powerful argument for tragedy. The difference between the beauty of art and this relationship is the focus of this paper. The article is divided into three parts to carry out the research: The first part, from the historical point of view, analyzes the origin and development of puppets with time order. From this perspective, we can see that the Naxi society in Lijiang has been developed. There have been several important cultural transitions, which have had an indirect effect on religion and art. The second part, from the artistic and spiritual needs to analyze. Puppet as Dongba culture and art, brought to the Naxi society artistic needs and spiritual needs analysis. Involving the local artistic value and aesthetic experience, what changes will be made to the development and future of puppets, and what is the difference between the beauty produced by this tragic consciousness and other arts. The third part analyzes the relationship between the tragic consciousness and the sense of form according to the research of the former two parts. Part 4th analyzes the future development and cultural inheritance of the god animal puppet from the perspective of foresight. Nowadays, the society develops rapidly, the scientific progress, the ancient and mysterious god animal puppet. Should it be eliminated by society or should it be inherited? It is worth our study and discovery. The above is the framework of the whole article. I hope the splendid Dongba culture will not disappear with the change of society. Its mystery is worthy of further study and discussion.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J528

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