敦煌飞天造型艺术赏析

发布时间：2018-01-16 03:02

本文关键词：敦煌飞天造型艺术赏析　出处：《丝绸》2013年06期 　论文类型：期刊论文

【摘要】：梳理与解读了敦煌壁画中飞天的艺术造型形式,分析了敦煌飞天在中国的衍变、发展及其所处的时代背景与人文艺术环境等因素。在不同的时代背景与人文艺术环境中,敦煌飞天形成了其不同的艺术造型风格特点,并从造型手法和审美特点两方面进行分析研究,试图挖掘出敦煌画中飞天的艺术影响力和审美价值。敦煌飞天艺术从引入、吸纳古印度佛教和古希腊神话两大源头的文化滋养,到融汇中国本土的宗教人文思想进入融合时期,经过中国历代艺术家的不断努力,创造出了具有时代风格和民族特色的卓越艺术珍品。敦煌飞天形象充分体现了中国古代人民卓越的艺术才华和无穷的智慧。敦煌飞天是印度文化、西域文化、汉文化艺术的相互吸纳兼容创新的完美形象的载体。
[Abstract]:Analysis and interpretation of the art form of flying in the Dunhuang murals, analyzes Dunhuang flying in China evolution, background and environmental factors such as the development of the arts and Humanities and the arts and humanities. In the background and in different environments, Dunhuang flying formed the different artistic style characteristics, and analysis from two modeling methods and aesthetic features, trying to dig out the Dunhuang paintings flying the influence of art and aesthetic value. Dunhuang art from the introduction of Buddhism in India, absorbed the ancient and the ancient Greek mythology the two major source of cultural nourishment, to integrate the Chinese native religion humanism into the integration period, through continuous efforts Chinese artists, create with the style of the times and national characteristics of the outstanding works of art. Dunhuang flying image fully embodies the Chinese of ancient people of great artistic talent and infinite Dunhuang flying sky is the carrier of the perfect image of India culture, western culture, and Chinese culture and art to absorb and innovate the perfect image.

【作者单位】：浙江理工大学服装学院;
【分类号】：TS941.12;K879.41
【正文快照】： 古代艺术家用博大的胸怀,强大的自信心,“吸纳”与兼容的姿态,以中国儒家、道家思想为主导,经过中国艺术家的不断提炼、加工、创作出了丰富而充满生命力的敦煌飞天形象,这在世界美术史上是很独特的,也为世界人民做出了巨大贡献。从公元366年到公元1524年,明王朝闭锁嘉峪关为止

【相似文献】