陶艺作品的符号叙事研究

发布时间：2018-02-02 00:40

本文关键词： 符号陶艺符号叙事　出处：《景德镇陶瓷学院》2012年硕士论文　论文类型：学位论文

【摘要】：陶瓷艺术是人类文明的象征。特别是当它在经历了从实用价值向艺术并举的转变之后，陶瓷作品就不仅限于方便人们的日常生产生活了，它已经成为一种与人类内在情感紧密相连的艺术形式。陶艺符号的提法，是最近几年才出现的。事实上，陶艺作品的造型、釉色、装饰、题材及风格等方面都可以用符号进行表达。然而关于它如何借助符号进行叙事的研究成果却并不多见。陶艺符号本质上仍然是一种情感符号，每一件陶艺作品的背后都折射出一个独特的人格，都与创作者的个人情感和文化背景息息相关。尽管陶艺作品看上去是静态的，但它的内涵意蕴却是动态的。它最具魅力之处就在于以静态的形式展示与复现了人类情感那千变万化、微妙莫测的动态形状。本文尝试从符号学角度研究陶艺作品是如何进行叙事的。理解了这一点，对于观者能够准确、通畅的与作品对话，从而客观、准确地理解创作者的表达意愿具有重要的指导意义，，而这也正是陶艺家们传递其创作意图的根本手段和最终目的。
[Abstract]:Ceramic art is the symbol of human civilization, especially when it goes through the transformation from practical value to art, ceramic works are not limited to the convenience of people's daily production and life. It has become a form of art closely related to human inner emotions. The formulation of ceramic symbols has only appeared in recent years. In fact, the shape, glaze, and decoration of pottery works. Subject matter and style can be expressed by symbols. However, there are few research results on how to use symbols to narrate. Ceramic symbols are still a kind of emotional symbols in nature. Behind each piece of pottery art reflects a unique personality that is closely related to the creator's personal emotional and cultural background, although the pottery works seem static. But its connotation is dynamic. The most attractive thing is that it shows and reproduces the dynamic shape of human emotion in the form of static state. This paper attempts to study how pottery works are narrated from the perspective of semiotics. Understanding this point, the viewer can accurately, unobstructed dialogue with the work, thus objective. It is of great significance to understand the expression intention of the creators accurately, which is the fundamental means and the ultimate purpose for the ceramic artists to convey their creative intention.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527

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