民间剪纸在玉麟阁酒店设计中的应用研究

发布时间：2018-02-28 00:15

本文关键词： 民间剪纸造型符号意象文化当代设计　出处：《南昌大学》2012年硕士论文　论文类型：学位论文

【摘要】：中国的民间剪纸艺术有着深厚的文化内含,是我国民间文化艺术的母体之一。在民间人们的衣食住行、礼仪、节日习俗、和信仰禁忌等社会生活中都能够看到剪纸的足迹,所以说,剪纸体现了劳动人民生活中最朴实的艺术语言与艺术思想。综合剪纸艺术的造型特征和创作心理,它的创作目的是实用与审美的完美结合,与当代设计注重实用、注重审美需求的特征相吻合。同时,剪纸艺术丰富的、多样性的艺术形态,是当代设计取之不尽,用之不竭的宝藏,为我们探索中国当代设计的本土化,提供了一个取之不尽的宝藏。当代设计的创新源于传统与当代、东方与西方人类文明的相互碰撞、相互交融、相互影响。无论从审美意识或从创作形式上来看,剪纸艺术与当代设计都有着内在的必然联系。因而,当代设计的创新需要从这种民族文化的本源中寻找启示,从中寻找设计的艺术形式、语言符号和思维上的突破,并与国际通行的设计理念相接轨,进而产生新的飞跃。如何将历史留给我们的这份非物质文化遗产与当代设计的理念结合,把传统民族文化精神和时代精神结合起来,探寻设计创新的切入点；如何使当代设计从剪纸艺术的造型和意象文化中得到启迪,再发掘、再认识剪纸作品中的元素语言,使其能够“古为今用”,丰富当代设计的语言符号和表述能力,是非常值得设计界认真思考并付诸实践的迫切的课题,亦是本文研究的主要内容。本文从剪纸艺术高度概括着手、试图从高度简洁的造型语言、构图方式以及丰富的题材、视觉思维方式、意象文化、审美性和创作思维等方面进行分析研究,为剪纸艺术对当代设计的启示进行较为系统的探索。并通过自己参与安徽铜陵“玉麟阁.大酒楼”设计案例的分析,使理论与实践结合,推动设计艺术的创新。上述研究面对的是今日设计界中“国际化”视觉符号的泛滥与“本土化”视觉语言“失语”现象较为严重的设计文化背景,通过对传统剪纸艺术的研究回归民族本原文化的深处,探寻当代设计的创新之意。
[Abstract]:Chinese folk paper-cut art has a profound cultural connotation, and is one of the mother of folk culture and art in China. It can be seen in the social life of folk people, such as clothing, shelter, etiquette, holiday customs, and taboo beliefs. Therefore, paper-cut embodies the most down-to-earth artistic language and artistic thought in the life of the working people. It synthesizes the modelling characteristics and creative psychology of paper-cut art. Its creative purpose is to combine the utility with the aesthetic, and to pay attention to the practical with the contemporary design. At the same time, the rich and diverse artistic form of paper-cut art is an inexhaustible treasure of contemporary design. Provides an inexhaustible treasure. The innovation of contemporary design originates from the collision, intercommunion and influence of traditional and contemporary, eastern and western human civilization, whether from aesthetic consciousness or form of creation. Therefore, the innovation of contemporary design needs to seek inspiration from the origin of this national culture, from which to find the breakthrough in the artistic form, language symbol and thinking of the design. And international common design concept in line with, and then produce a new leap. How to combine the intangible cultural heritage left by history with the concept of contemporary design, combine the traditional national culture spirit with the spirit of the times, and explore the breakthrough point of design innovation; How to make contemporary design get inspiration from paper-cut art modeling and image culture, and then explore and understand the element language in paper-cut works, so that it can "use the past for the present" and enrich the language symbols and expressive ability of contemporary design. It is an urgent subject for the design field to think and put into practice, and it is also the main content of this paper. This paper begins with the paper cutting art, and tries to analyze and research from the following aspects: the highly concise modeling language, the composition method, the rich subject matter, the visual thinking mode, the image culture, the esthetic character and the creative thinking, etc. In order to explore the enlightenment of paper-cut art to contemporary design systematically, and through participating in the analysis of the design case of "Yulin Pavilion. Big restaurant" in Tongling, Anhui Province, we can combine theory with practice. To promote the innovation of design art, the above research is faced with the background of design culture where the "internationalized" visual symbols and the phenomenon of "native" visual language "aphasia" are becoming more serious in the field of design today. Through the study of traditional paper-cut art to return to the depth of the original culture of the nation, to explore the innovative meaning of contemporary design.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J528.1

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