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论现代青花表现形式的多元性

发布时间:2018-03-02 01:23

  本文关键词: 青花 现代 表现形式 多元性 趋势 出处:《景德镇陶瓷学院》2012年硕士论文 论文类型:学位论文


【摘要】:青花是泥与火的神奇艺术,因其纯朴典雅的气质,深厚的传统工艺,精湛的民族文化精髓而经久不衰。青花历史凝聚着中国人民的智慧,是中华民族乃至世界艺术之林中一朵不朽的奇葩。从唐代以来,青花主要以纹饰表现为主,青花斗彩、青花玲珑、青花釉里红等多种形式都曾经出现过,在明清时代也出现具有文人画意味的青花瓷绘画。20世纪80年代以来,世界艺术的发展和变化,,加之中国民族艺术的传承和革新,随着人们对审美观念和审美情趣的不断追求,其多元性表现形式与自由创作时代走向必然,同时也直接催生了艺术家创作向观念化、个性化、民族化的方向发展。现代青花瓷的创作,其多元化的表现形式已经形成,其势不可挡,并在不断衍生。 古老的青花艺术,传统的工艺流程,现代陶艺家运用全新的创作理念,采用多种工艺与多维艺术相结合,拓展了青花装饰新的艺术空间.器型的注重,现代设计理念的运用,绘画和综合装饰,奠定了现代青花表现形式向开放性、多样性以及可持续性发展的基础,这就是现代青花艺术的繁荣及其展望。也就是说呈现给人们的不仅仅是一种现代陶瓷文化的发展过程,也是艺术家对艺术不断追求的精神,具有明显时代特征。
[Abstract]:Blue and white flower is the magic art of mud and fire. It has survived because of its simple and elegant temperament, profound traditional craft and exquisite national cultural essence. The history of blue and white flowers condenses the wisdom of the Chinese people. It is an immortal flower in the forest of Chinese nation and even the world art. Since the Tang Dynasty, the blue and white flowers have mainly been represented by ornaments, the blue and white flowers have been fighting colors, the blue and white flowers are exquisite, the blue and white flowers are red in the glaze, and many other forms have appeared. Since 80s of the 20th century, the development and change of the world art, in addition to the inheritance and innovation of the Chinese national art, along with people's constant pursuit of the aesthetic concept and aesthetic taste, also appeared in the Ming and Qing dynasties. Its pluralistic forms of expression and the trend of the free creation times are inevitable. At the same time, it also directly promotes the artists' creation to the direction of concept, individuation and nationalization. The creation of modern blue and white porcelain has formed its diversified forms of expression. It is unstoppable and continues to grow. The ancient blue and white art, the traditional technological process, and the modern pottery artists use new creative ideas, adopt a variety of techniques and multi-dimensional art, expand the new artistic space of blue and white decoration, pay attention to the instrumental type, and apply the modern design idea. Painting and comprehensive decoration have laid the foundation for the development of modern blue and white flowers towards openness, diversity and sustainability. This is the prosperity and prospect of modern blue and white art, that is to say, it presents people not only with the development process of modern ceramic culture, but also with the spirit of artists' constant pursuit of art, with obvious characteristics of the times.
【学位授予单位】:景德镇陶瓷学院
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J527

【引证文献】

相关硕士学位论文 前2条

1 王菁菁;明代青花瓷的器型和纹饰研究[D];兰州大学;2013年

2 杨柳青;景德镇四大传统名瓷艺术元素的舞台应用与其效果[D];景德镇陶瓷学院;2013年



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