旗袍服饰特征所折射出的典型中外美学内涵

发布时间：2018-03-08 10:04

本文选题：美学　切入点：生活美学　出处：《四川师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：中国有着上下五千年源远流长的文化底蕴,作为礼仪之邦的中国,是很重视衣冠服饰在社会生活中的作用和地位的,因此也素有着衣冠之国的美誉。旗袍,作为众多华夏服饰派别中重要的一支,承载了深厚的文化内涵和美学思想。它的由清初的确立到民初的盛行,以及当今仍然不断发展和演变着的经历,彰显着独有的魅力和别样的审美价值。旗袍服饰,不仅仅是一种实用生活品,更是一种可谓带有审美意趣的艺术品,同语言、科学、历史、哲学等一样共通构成了文化这个大圈的各个扇面。同时,也同历史、政治等扇面在共存中相互制约与影响着。因此,在旗袍的发展主线中,不难看出,旗袍文化同不同的历史政治背景息息相关,同时,各个时期的旗袍文化也是吻合相应时期的美学观点的。旗袍有着悠久的发展变化史。1664年努尔哈赤进京,开启了清王朝长达200余年的统治,同时,由“正八旗”女性穿戴的长袍演化而来的“旗袍”从此被明文统一为女性必须的服装。随着民族的融合,随着社会变迁、制度改变,旗袍作为国粹,在不断的改良、创新中日益夺目。通过旗袍发展史的展开,可以清楚地在旗袍最根本的特点上,看到与之相关的一些古典美学思想以及西方哲学思想。旗袍一直持续到如今的发展,已经从民族走向世界,更多样化地以其深厚的历史意义和独特的美感出现在各大影视作品和具有世界性的活动项目中,例如奥运、国际电影节颁奖典礼等等,彰显着民族文化同世界文化碰撞后的创新力量和无限美感。现代日新月异的式样、更加艺术化的设计赋予了旗袍更广的意义与影响力。这一过程中,可以看到的一方面是旗袍被升华为艺术后,在传统中又不失现代的极致的雅致美,作为一种服装,与人物性情相得益彰,不是再现式的美,而是表现式的,所以可以带有无拘无束的想象和各类添加的元素在其中；另一方面,也可以看到,在这些中西合璧美轮美奂的旗袍背后,作为一种文化的产物,旗袍成为了一种具有象征意义、社会文化意义的符号符码,旗袍在社会中流行,同时为社会生活所创造,它承载的不是绫罗绸缎的姹紫嫣红,而是一种象征着某些社会含义和文化底蕴的缩影,旗袍服饰必然有着不可限量的发展前景。
[Abstract]:China has five thousand years of long history of cultural heritage. As a state of ceremony, China attaches great importance to the role and status of dress and dress in social life, therefore, it also has the reputation of a clothed country. Cheongsam. As an important branch of many Chinese dress schools, it bears profound cultural connotations and aesthetic thoughts. Its popularity from the early Qing Dynasty to the early Republic of China, and today's continuous development and evolution of the experience, Show the unique charm and other aesthetic value. Cheongsam dress is not only a practical product of life, but also a work of art with aesthetic interest. Like language, science, history, philosophy and so on, it forms every sector of the great circle of culture. At the same time, it is also with history. Therefore, in the main development line of Qipao, it is not difficult to see that the culture of cheongsam is closely related to different historical and political backgrounds, at the same time, The cheongsam culture of each period is also consistent with the aesthetic point of view of the corresponding period. Qipao has a long history of development and change. In 1664, Nuerhachi entered Beijing, opening the reign of the Qing Dynasty for more than 200 years, and at the same time, The "cheongsam", evolved from the long robes worn by the women of the "Zhengzheng eight Banner", has since been clearly unified as a necessary dress for women. With the integration of the nation, with social changes and changes in the system, the cheongsam, as the quintessence of the nation, has been continuously improved. Through the development of the history of Qipao, we can clearly see some classical aesthetic thoughts and western philosophical thoughts related to the development of cheongsam. Has moved from the nation to the world, more diversified with its profound historical significance and unique aesthetic sense in various major film and television productions and international events, such as the Olympic Games, the International Film Festival awards ceremony, and so on. It shows the creative power and infinite beauty after the collision between national culture and world culture. The modern style with each passing day and the more artistic design endow the cheongsam with wider meaning and influence. In this process, we can see, on the one hand, that after the cheongsam was sublimated into art, the elegant beauty of the modern style was not lost in the tradition. As a kind of clothing, it was complementary to the character's temperament, and it was not a reproducing beauty, but an expressive one. So we can have an unrestrained imagination and all kinds of added elements in it. On the other hand, we can also see that behind these beautiful cheongsam, Chinese and Western beauty, as a product of a culture, cheongsam has become a symbolic significance. The symbol code of social and cultural meaning, the cheongsam is popular in the society, at the same time created for the social life, what it carries is not the colorful color of Luo Ayako silk satin, but a kind of microcosm that symbolizes certain social meaning and cultural background. Cheongsam dress is bound to have an unlimited development prospects.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J523.5

【参考文献】