“综合漆艺”材料表现研究

发布时间：2018-04-03 21:28

本文选题：综合漆艺　切入点：观念　出处：《西安美术学院》2012年硕士论文

【摘要】：中国漆艺术发展至当下，已站在一个新的历史当口，新思想、新文化、新材料的冲击，使这门古老而又时尚的艺术，充满机遇与挑战。本文在对中国漆艺术当下时态的研究与实践中，就漆艺术发展中的困惑与问题争论，提出“综合漆艺”的概念，这是一个当代漆艺术实验形态的概括，在具体谈论“漆艺术”发展时又不可能切断“历史”的联系来谈“当代”。中国漆艺术史是一个不断演化的历史，在这里包括艺术资源的扩大、技艺性、形态方面的逐渐变化，并在历史连贯“话语”叙述中透过一定形式语言和材料媒体传达并延续下来。基于此，本文从本体论角度，对综合漆艺（实验形态）所呈现具体形质入手，结合当代艺术观念与时代精神，对综合漆艺材料语言与表现进行一次描述和梳理，找出一定的“话语”言说规律，以期对综合漆艺的艺术语言与特点有一个更为深刻而明确的理解。全文共分四章。第一章、漆艺术发展概述以及综合漆艺的概念，在此章中循籍中国漆艺术发展精神提出和阐述了“综合漆艺”这样一个当下概念，并就其使用与特点进行了深入辨析。第二章、材料言说，就中国漆艺术发展过程中的材料语言从传统漆艺（工艺形态）——漆画（架上形态）——综合漆艺（实验形态）演变，通过还原于当时文化语境具体图像作品的解读，和作品的创作观念的比较分析，从形式语言入手进行论证和探讨，以期能理出一个较为具体的脉络。第三章、材料语言表现与创作研究，笔者从材料语言的精神性意义探寻，，关注当代表达，并结合自己的创作实践，对综合漆艺的发展做出一些实践性思考，具有积极的参考作用。文章结论中，对综合漆艺的实验探索做了展望，我想在当代本土文化的建构过程中，中国漆艺术的潜力将被更大限度的挖掘。
[Abstract]:The development of Chinese lacquer art to the present, has stood in a new historical moment, new ideas, new culture, new materials impact, make this ancient and fashionable art, full of opportunities and challenges.In the research and practice of the present tense of Chinese lacquer art, this paper puts forward the concept of "comprehensive lacquer art", which is a summary of the experimental form of contemporary lacquer art.When discussing the development of lacquer art, it is impossible to cut off the relation of history to talk about contemporary.The history of Chinese lacquer art is a history of continuous evolution, including the expansion of artistic resources, the gradual changes in artistic skills and forms,And in the historical coherent "discourse" narration through the certain form language and the material media conveys and continues down.Based on this, this paper describes and combs the language and performance of comprehensive lacquer art materials from the perspective of ontology, starting with the concrete appearance of comprehensive lacquer art (experimental form), combining the contemporary artistic concept and the spirit of the times.To find out a certain "discourse" rule of speech, in order to have a more profound and clear understanding of the artistic language and characteristics of comprehensive lacquer art.The full text is divided into four chapters.In the first chapter, the development of lacquer art and the concept of comprehensive lacquer art are summarized. In this chapter, the present concept of "comprehensive lacquer art" is put forward and expounded according to the spirit of development of Chinese lacquer art, and its use and characteristics are deeply differentiated and analyzed.The second chapter is about the material language in the development of Chinese lacquer art from traditional lacquer art (craft form) to lacquer painting (frame form-synthetic lacquer art (experimental form)).Through the interpretation of the specific image works in the cultural context at that time, and the comparative analysis of the creative ideas of the works, this paper demonstrates and discusses from the formal language, in order to work out a more specific context.The third chapter, the material language expression and the creation research, the author from the material language spiritual significance exploration, pays close attention to the contemporary expression, and unifies own creation practice, makes some practical thinking to the synthesis lacquer art development,Has the positive reference function.In conclusion, the author looks forward to the experimental exploration of comprehensive lacquer art. I think that the potential of Chinese lacquer art will be excavated to a greater extent in the process of constructing contemporary local culture.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527

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