论影青釉在现代陶艺中的运用

发布时间：2018-04-20 14:53

本文选题：影青釉 + 现代陶艺　；参考：《景德镇陶瓷学院》2012年硕士论文

【摘要】：影青釉是一种单色釉，一般在宋元文献中称其成瓷为“青白瓷”，特指宋元时期景德镇及其周边地区生产的一种釉润胎薄，洁白致密，清澈如玉，釉色介于青、白之间的清新淡雅的瓷器。它是基于人们对中国玉文化的敬仰与需求而产生的，是一种“类玉”之美。20世纪80年代中后期，随着中国现代陶艺的发展影青釉广泛地被用于现代陶艺创作中。而西方现代艺术的介入，“中西合璧”的趋势势必会对陶瓷艺术的发展产生冲击，而影青釉不仅是一种装饰手段，同时还蕴含着中国独具的文化精神。因此，赋有中国传统文化的影青釉作为现代陶艺的装饰手法对中国现代陶艺的发展意义深远，丰富了现代陶艺装饰语言，并对中国传统文化的传承有着积极地作用。本文从历史的研究角度，以影青釉自身的特质为基本点，从工艺高度与艺术高度两大块面的论证，分析影青釉在现代陶艺中的运用。从玉文化与人的社会生活的关系，引出影青瓷的产生，并通过影青瓷与玉的发展关系，论证了影青釉所达到的工艺高度与“类玉”的审美特点。同时，，在世界现代陶艺的发展的宏观范围内，影青釉通过与形式、材质、技法的结合体现出一种意境美，这是一种艺术行为，是具有现代审美意味的。
[Abstract]:Ying Qing glaze is a kind of monochromatic glaze, which is generally referred to as "celadon porcelain" in the literature of Song and Yuan dynasties. In particular, it refers to a kind of glaze produced in Jingdezhen and its surrounding areas in Song and Yuan dynasties, which is thin, white and dense, such as clear jade, and the glaze color is between blue and blue. The fresh, elegant china between white. It is based on people's admiration and demand for Chinese jade culture. It is a kind of "jade" beauty. In the middle and late 1980s, with the development of Chinese modern pottery art, it has been widely used in modern pottery. In the process of artistic creation. With the intervention of modern western art, the trend of "the combination of Chinese and Western" is bound to impact the development of ceramic art, and the shadow green glaze is not only a decorative means, but also contains the unique cultural spirit of China. Therefore, as the decoration technique of modern ceramic art, the shadow green glaze with Chinese traditional culture is of far-reaching significance to the development of Chinese modern ceramic art, enriches the decorative language of modern ceramic art, and plays an active role in the inheritance of Chinese traditional culture. From the perspective of historical research, this paper takes the characteristics of the shadow green glaze as the basic point, from the height of the craft and the high art. The paper analyzes the application of shadow-green glaze in modern ceramic art. From the relationship between jade culture and people's social life, the emergence of shadow celadon is introduced, and through the development relationship between shadow celadon and jade, the technological height and aesthetic characteristics of "jade" are demonstrated. At the same time, in the macroscopical scope of the development of modern ceramic art in the world, the combination of shadow and green glaze with form, material and technique embodies a kind of artistic conception beauty, which is an artistic act and has modern aesthetic meaning.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527

【参考文献】