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有心之器—新观念语境下的日用陶瓷产品设计研究

发布时间:2018-05-11 20:48

  本文选题:设计观念 + 日用陶瓷 ; 参考:《景德镇陶瓷学院》2012年硕士论文


【摘要】:“有心之器”出自刘勰《文心雕龙》之原道:“有心之器,其无文欤?”人之所以是“有心之器”,而不同于自然界的“无识之物”,即在于人是“性灵所钟”,有人的灵性。而之于日用陶瓷产品,亦不是“无识之物”,它同时还是融入了时代的新技术、新文化、新艺术、新观念的一个信息载体。 随着现代工业的发展,物质生产已经相当丰富,产品的同质化程度日益提高,人们的思想观念、生活方式、价值取向等正发生着前所未有的变化,同样,日用陶瓷产品的设计观念也发生了新的变化。日用陶瓷作为一种产生经济效益的工业产品,其价值与人们消费的观念息息相关。当代人的消费心理己经发生了翻天覆地的变化,人们在进行陶瓷产品消费时,对陶瓷产品的选择不仅仅是单一的使用价值的选择,,而是出现个性化、高级化的选择新趋势。 设计观念,是人类进行设计活动的指导思想。陶瓷产品设计是人类创造性的实践活动,在漫长的历史进程中,出现了一些影响深远的设计观念,本文梳理、总结了在现代陶瓷设计领域里主流设计观念的演变,通过对设计观念演变的分析,提出日用陶瓷设计观念新的变化,以及其对产品的设计实践的影响,进一步梳理出日用陶瓷产品设计的发展趋势,为以后的日用陶瓷产品创新性设计提供有益的参考。
[Abstract]:"the vessel with the heart" comes from the original way of Liu Xie's "Wen Xin Diao long": "if a device has a heart, it has no text?" The reason why man is "the object of mind", but is different from the nature of "the unknown thing", that is, the human is the "spiritual clock", someone's spirituality. But to the daily use ceramic product, also is not "the unknown thing", it also has integrated the time new technology, the new culture, the new art, the new idea information carrier. With the development of modern industry, the material production is already quite abundant, the degree of homogenization of products is increasing day by day, people's ideology, life style, value orientation and so on are undergoing unprecedented changes, similarly, New changes have taken place in the design concept of daily ceramic products. As a kind of industrial product which produces economic benefit, the value of daily ceramic is closely related to people's concept of consumption. The consumption psychology of contemporary people has changed dramatically. When people consume ceramic products, the choice of ceramic products is not only a single choice of use value, but also a new trend of individualized and advanced choice. The concept of design is the guiding ideology of human design activities. Ceramic product design is a creative practical activity of human beings. In the long historical process, some far-reaching design concepts have emerged. This paper summarizes the evolution of mainstream design concepts in the field of modern ceramic design. Based on the analysis of the evolution of the design concept, the paper puts forward the new changes of the daily ceramic design concept and its influence on the design practice of the products, and further combs out the development trend of the daily ceramic product design. It provides a useful reference for the innovative design of daily ceramic products in the future.
【学位授予单位】:景德镇陶瓷学院
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J527

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