试论中国古代岩画的装饰性

发布时间：2018-05-16 09:55

  本文选题：试论 + 中国　； 参考：《美术观察》2013年02期

【摘要】：正哲学家黑格尔说:"最古老的艺术纪念碑就是那些岩窟壁画,惊人精确的富于表情的动物画后来,画风发生了罕见的变化,在新石器时代,绘面变成了神秘的符号,其意义至今也无从猜测,意义和形象已经彼此脱节"黑格尔所说的"画风变化",指的是岩画风格的变化。中国岩画在发展过程中,点象的造型作用从写实到象征,最后归于形式化的装饰性。一、中国古代岩画主要装饰手法中国古代岩画的主要装饰手法有"简化"、"夸张"、"添加"、"分解"、"打破比例、时空概念"等方法。"简化"主要是指对自然形态的简洁化,减去繁琐细节,以突出整体的特征与个性。在西藏岩画里,一个大鸟的图像,近乎等腰
[Abstract]:The philosopher Hegel said, "the oldest art monument is the rock cave murals, the amazing precision of the expressive animal paintings, and the rare changes in the style of painting. In the Neolithic Age, the painting surface became a mysterious symbol." There is no way to guess its meaning, meaning and image have been out of touch with each other. "the change of painting style" by Hegel refers to the change of rock painting style. In the process of development of Chinese rock painting, the modeling function of dot image is from realism to symbol, and finally to formal decoration. First, the main decorative techniques of ancient Chinese rock paintings are "simplification", "exaggeration", "addition", "decomposition", "breaking proportion, space-time concept" and so on. " Simplification mainly refers to the simplification of the natural form, subtracting the complicated details, in order to highlight the characteristics and individuality of the whole. In Tibetan rock paintings, an image of a large bird, near isosceles
【作者单位】： 江苏盐城师范学院;新疆师范大学;
【分类号】：K879.4;J219
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本文编号：1896398