湖湘刺绣艺术非物质文化数字化传播研究

发布时间：2018-05-26 03:01

本文选题：湖湘民间刺绣 + 数字化　；参考：《湖南师范大学》2012年硕士论文

【摘要】：湖湘刺绣历经千年,从我国楚文化区域出土的刺绣珍品可以发现,中国刺绣艺术的历史渊源与地处楚文化地区的湖湘刺绣的艺术的传承与发展有着一脉相承的关系。湖南是一个多民族的省份,湖湘民族中非物质文化---民间刺绣艺术留存着楚汉刺绣的神秘且浪漫的风韵,同时杂糅了湖湘劳动人民鲜活的创新意识,在我国民族民间艺术中占有重要的地位。而伴随着现代工业化的高速发展,传统手工艺却在无声的消失。如今,信息化传递方式已走入了千家万户,与此相对的却是湖湘民间刺绣这一传统手工艺举步维艰,几乎面临停滞的尴尬处境。因此,在这个由信息占主导的时代,将传统文化与时代的步伐紧紧挂钩,把湖湘民间刺绣艺术,通过数字化技术来进行最有效保存和最广泛的传播,就显得尤为重要。本文将把界定数字化的概念放在全文的开篇,同时由浅入深的从哲学角度,探讨非物质文化遗产数字化中的关键—“展示”与“传播”性。与此同时,本文是以湖湘民间刺绣为蓝本,站在数字化保护展示与传播的思考维度,对国内外现状进行文献研究,并对湖湘民间刺绣艺术展开详实调研和艺术特色研究,并进一步提出湖湘民间刺绣数字化保护和传播的途径,针对性展开了如何何对湖湘民间刺绣进行数字化的采集、编辑与展示的实践过程。以期找寻非物质文化数字化保护中传播与教育的发展方向。
[Abstract]:After thousands of years of embroidery in Huxiang, it can be found that the historical origin of Chinese embroidery art is closely related to the inheritance and development of Huxiang embroidery art, which is located in the area of Chu culture, from the embroidery treasures unearthed in the cultural region of Chu in China. Hunan is a multi-ethnic province, Huxiang non-material culture-folk embroidery art retains the Chu and Han embroidery mysterious and romantic charm, at the same time mixed with Huxiang working people's fresh sense of innovation, In our national folk art occupies an important position. With the rapid development of modern industrialization, the traditional handicraft disappeared silently. Nowadays, information transmission has entered thousands of households, and the opposite is Huxiang folk embroidery, which is a traditional handicraft difficult, almost face the awkward situation of stagnation. Therefore, in this era dominated by information, it is particularly important to closely link traditional culture with the pace of the times, and to carry out the most effective preservation and most extensive dissemination of Huxiang folk embroidery art through digital technology. This paper will put the concept of defining digitization at the beginning of the full text, at the same time, from a philosophical point of view, to explore the key in the digitization of intangible cultural heritage-"display" and "dissemination". At the same time, this article is based on Huxiang folk embroidery, standing on the thinking dimension of digital protection display and dissemination, carrying on the literature research on the present situation at home and abroad, and carrying out detailed investigation and research on the art characteristics of Huxiang folk embroidery. Furthermore, the paper puts forward the ways of digital protection and dissemination of Huxiang folk embroidery, and puts forward the practical process of how to collect, edit and display the digital collection, editing and display of Huxiang folk embroidery. In order to find the development direction of communication and education in the digital protection of immaterial culture.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J523.6

【参考文献】