互动互文的青花——透过元青花看土耳其伊兹尼克与景德镇青花瓷的文化互涉

发布时间：2018-06-07 08:35

本文选题：景德镇 + 伊兹尼克　；参考：《中国陶瓷》2013年12期

【摘要】：对比景德镇元青花和土耳其伊兹尼克陶瓷的产生背景以及它们之间的互动是一个很有意义的现象,可以发现元青花的产生除了当时高岭土的发现之外,更为重要的是在元朝政府特殊的背景和与西亚的贸易中形成的。这个因素甚至是决定性的因素。而土耳其伊兹尼克的陶瓷从产生之初就是把来自中国的青花瓷作为能够到达的终点站从模仿开始到最后形成自己的文化内涵。本文试图探讨不仅伊兹尼克陶瓷风格的产生是在汲取景德镇青花营养基础上发展出来的一曲华丽乐章,而且景德镇元青花的产生除了技术和高岭土的发现,也是拜元朝的蒙古皇帝和被西亚直接订制所要求的风格中转换所赐,元青花无论造型或青花料还是装饰风格都带有明显的西亚风格,这种国家间的传播方式也直接促成了元青花迅速代替影青等单色釉,成了中国符号。元青花产生在先,但其产生的根源在伊斯兰和波斯文化需求和对青花画料以及装饰风格的直接影响,伊兹尼克陶瓷产生在后,但其对元青花风格显而易见的模仿是伊兹尼克陶瓷的直接动力所在。这是本文探讨的重点所在;即寻找出元青花与西亚文化之间,以及土耳其陶瓷与元青花关系的互动和关联关系,来试图说明当代文化产生的潜在影响并非是寻找独创,而是生成语言。
[Abstract]:It is a very meaningful phenomenon to compare the background of Jingdezhen Yuan green flowers and Turkey INIC ceramics. It is possible to find that the origin of the Yuan green flower, besides the discovery of the kaolin, is more important in the special background of the government of the Yuan Dynasty and in the trade with West Asia. At the beginning of the emergence of Turkey itichi's ceramics, the ceramics from China were used as the terminal station to reach their own cultural connotation from the beginning of imitation to the end. In addition to the discovery of the technology and kaolin, the Jingdezhen Yuan green flower was also given by the Mongolia emperor of the Yuan Dynasty and the style required by the Western Asia. The Yuan green flower quickly replaced the monochrome glaze such as shadow green, which became the Chinese symbol. The Yuan green flower appeared first, but its origin was directly influenced by the Islamic and Persian cultural needs and the green flower painting and the decorative style. This is the focus of this article. That is to find out the interaction and relationship between the Yuan green flower and the Western Asian culture, and the relationship between the Turkey ceramics and the Yuan green flower, to try to show that the potential influence of contemporary culture is not to find originality, but to generate language.
【作者单位】：上海大学美术学院;
【分类号】：K876.3

【参考文献】