明清时期的宫廷御墨

发布时间：2018-06-09 12:20

  本文选题：叶玄卿 + 方于鲁　； 参考：《中国书法》2013年10期

【摘要】：正明代制墨手工业得到空前发展,在安徽形成了制墨手工业的中心,休宁、婺源、歙县形成不同风格的制墨流派,制墨名家辈出,有以世代制墨为生。明嘉靖时期,以方正、邵格之、罗小华等为代表,均用油烟制墨;万历时期,以程君房、方于鲁、叶玄卿、汪春元等最具代表,发明了用"桐油烟"和"漆烟"制法,并广泛流行,其墨品均有充贡内廷。明晚期又出现成套丛墨,即"集锦墨"形式,文人监制墨品等成为一时风尚。对后世颇有影响。明代墨品制作奇巧,集多种工艺技法施于一身,除本色墨以外,还出现了一些漱金或描金彩绘的墨品,不仅注重实
[Abstract]:In the Ming Dynasty, the ink making handicraft industry was developed unprecedentedly. In Anhui, the center of the ink making handicraft industry was formed. Xiuning, Wuyuan and Shexian formed different styles of ink making schools. During the period of Jiajing in the Ming Dynasty, Fang Zheng, Shao GE Zhi and Luo Xiaohua were all used to make ink with oil fumes. During the Wanli period, the most representative of them were Cheng Junfang, Fang Yu Lu, Ye Xuanqing, Wang Chunyuan, and so on, who invented the "Tong oil fume" and "lacquer smoke" making methods. And the widespread popularity of its ink are filled with tribute to the court. In the late Ming Dynasty, complete sets of ink appeared again, that is, the form of "Jinjin ink", the literati supervision of ink products became a fashion. It has an influence on later generations. In the Ming Dynasty, ink products were made with a variety of techniques and techniques. In addition to the original color ink, there were some ink products that gargled gold or painted gold, and not only paid attention to the real.
【分类号】：K875.4
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本文编号：1999710