山西面塑造型的符号象征与民俗文化内蕴

发布时间：2018-06-20 09:25

本文选题：山西面塑 + 造型　；参考：《太原理工大学》2012年硕士论文

【摘要】：千百年来,面塑艺术在中国黄河流域特别是山西村落中流传甚广,是红白喜事、传统节庆祭祀、馈赠的珍贵艺术品。面塑艺术作为民俗文化的一种美术表现形式,与人们的生活、习俗、信仰、崇拜有着极为密切的关联。山西面塑造型拙中藏巧、朴中显美,繁多的造型样式中蕴含了丰富的想象力以及粗犷却不粗糙、装饰精细却不冗繁的风格特点。山西面塑艺术以其特有的装饰风格和民俗语言,几千年来在民俗活动中传承延展,作为民俗文化的载体和媒介,表达了人们对理想生活的向往和祈愿,对生存和繁衍的渴望和对生命的赞颂,传递了民俗形式的文化意蕴。论文以实地调研考察和文献资料研究等方法相结合,对山西面塑艺术的发展脉络、造型装饰风格及其文化内蕴进行研究和分析,探求山西面塑的艺术形态的本原哲学观念和民俗文化内涵,探讨民间面塑艺术与民俗文化、民俗生活的关联,同时通过透视和剖析代表性的面塑造型,明白其装饰的动机和目的。论文的探讨将对山西面塑艺术的传承和发展作出思考。论文以山西民间面塑造型的风格、元素等内容的阐述展开,进而通过对面塑造型符号的象征性、民俗寓意的分析,揭示山西面塑内蕴的民俗文化内涵,并对民俗文化及面塑艺术的传承提出思索。第一章为绪论部分,介绍研究目的、意义及研究方法。第二章概述山西面塑艺术的产生、分布及发展脉络。第三章具体分析山西民间面塑艺术的造型元素及装饰风格,分析常见的造型类别,在此基础之上,提出民俗文化、符号、寓意符号、象征的概念,探讨面塑造型中寓意符号的运用,包括表号、谐音、象征等方法的使用。第四章分析面塑造型当中蕴含的本原哲学观念,包括原始宗教与原始崇拜、根深蒂固的生殖观念、阴阳和五行色彩观念、原始神话和传说等因素。第五章通过对民俗心态的分析,通过民俗事项的例证,对山西不同民俗礼仪中的面塑制作及造型作了详细介绍,并分析了它们所蕴含的民俗内涵,从求吉纳福、驱灾避害等民俗生活理想角度探析。第六章总述面塑艺术与民俗文化的关系,民俗活动是面塑艺术赖以生存的基础,同时,面塑艺术也丰富和传播了民俗文化,具有象征寓意的面塑造型内蕴着丰富的民俗文化内涵,而这种内涵正是民间面塑艺术传承和发展的内在动力。论文在田野调查的基础上,对所积累的材料进行归纳、综合,选择有代表性的个案作解剖、分析,通过横向、纵向地比较引导研究走向深入,试图进一步探讨面塑这一民间美术形态的民俗文化内涵。
[Abstract]:For thousands of years, the art of facial sculpture has been widely spread in the Yellow River valley, especially in Shanxi villages. As an art form of folk culture, plastic art is closely related to people's life, custom, belief and worship. Shanxi surface plastic modeling in a subtle, simple and beautiful, a variety of modeling style contains rich imagination and rough but not rough, fine decoration but not redundant style characteristics. With its unique decorative style and folk language, Shanxi noodle sculpture art has been spreading in folklore activities for thousands of years. As the carrier and medium of folklore culture, it expresses people's yearning for and wish for their ideal life. The desire for survival and reproduction and the praise of life convey the cultural meaning of folk form. Based on the methods of field investigation and literature research, this paper studies and analyzes the development of Shanxi facial plastic art, the style of modeling and decoration and its cultural connotation. This paper probes into the original philosophical concept and the connotation of folk culture of the art form of Shanxi dough sculpture, probes into the connection between folk plastic art and folk culture and folk custom life, and at the same time, through the perspective and analysis of the representative surface plastic modeling, Understand the motive and purpose of the decoration. The discussion of this paper will reflect on the inheritance and development of Shanxi noodle sculpture art. This paper starts with the style and elements of Shanxi folk plastic modeling, and then reveals the connotation of Shanxi's folk culture by analyzing the symbolism and folklore implication of the opposite moulded symbols. And to the folk custom culture and the surfacing sculpture art inheritance proposed the ponder. The first chapter is the introduction, which introduces the purpose, significance and research methods. The second chapter summarizes the appearance, distribution and development of Shanxi noodle sculpture art. The third chapter analyzes the modeling elements and decorative styles of Shanxi folk plastic arts, and analyzes the common modeling types. On this basis, it puts forward the concepts of folk culture, symbols, etc. This paper discusses the application of symbolic symbols in plastic modeling, including the use of table number, homophony, symbolism and so on. The fourth chapter analyzes the original philosophical concepts contained in the plastic modeling, including primitive religion and primitive worship, deep-rooted reproductive concepts, Yin and Yang and five elements of color concepts, primitive myths and legends, and so on. The fifth chapter through the folk custom mentality analysis, through the folk custom matter example, has made the detailed introduction to the Shanxi different folk custom etiquette in the noodles plastic making and the modelling, and has analyzed the folk custom connotation which they contain, from asks for the Ginafu, The ideal angle of folklore life such as avoiding disaster and avoiding disaster. Chapter VI describes the relationship between facial sculpture art and folk culture. Folklore activities are the basis for the survival of facial sculpture art. At the same time, facade sculpture art also enriches and spreads folk culture. The figurative modeling with symbolic meaning contains rich folk culture connotation, which is the inherent motive force for the inheritance and development of folk plastic arts. On the basis of field investigation, the paper sums up and synthesizes the accumulated materials, selects representative cases for dissection, analyzes, and guides the research into depth through horizontal and vertical comparison. Try to further explore the folk culture connotation of the folk art form.
【学位授予单位】：太原理工大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J528.4

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