孝感雕花剪纸艺术生产性保护对策研究

发布时间：2018-07-07 14:00

本文选题：孝感 + 雕花剪纸　；参考：《华中师范大学》2012年硕士论文

【摘要】：孝感雕花剪纸是孝感古老的民间文化艺术,它有着悠久的历史渊源和丰富的文化内涵,多以孝文化的历史典故作为题材,通过特殊视角来诠释孝俗风情。在其漫长曲折的发展过程中,荟萃了不同时期、不同地域的创作成就,融合了我国北方剪纸的粗犷苍劲和南方雕刻的玲珑剔透,在艺术风格上兼收并蓄,自成一体,形成了独特的艺术风格。雕花剪纸在日常生活的应用十分广泛,从手工艺绣花的样品渐渐发展普及到人们日常生活的方方面面,包括室内装饰、报刊题花、礼品装饰、标志设计、广告宣传、影视媒体、插图书签等,具有非常浓厚的艺术性、观赏性和装饰性,为广大群众所喜闻乐见。2008年,孝感雕花剪纸经国务院批准列入国家级第一批非物质文化遗产扩展名录,孝感亦因此被誉为“中国民间文化艺术之乡”。随着时间的推移和市场经济的发展,在二十一世纪的今天,孝感雕花剪纸逐渐陷入了尴尬的境地。各种新兴文艺的冲击,使得人们对民间传统文化艺术的审美观念逐渐开始变得淡薄；雕花剪纸产业发展缺乏资金支持,且其市场认知空间有限,尚未形成“规模效应”；民间剪纸艺人的生活来源没有保障,导致参与剪纸的艺人越来越少；从事剪纸行业的艺人年龄层逐渐升高,老艺人纷纷谢世,许多精湛的技术无人继承,导致孝感雕花剪纸面临着青黄不接、濒临失传的危险。雕花剪纸艺术是生产实践中产生的,其文化内涵和技艺价值要靠生产出的工艺作品来体现,要使剪纸艺术长盛不衰,重现昔日辉煌,对其进行生产性保护无疑是最为合适的保护手段。在有效保护的基础上开发出具有孝感地方、民族特色和市场潜力的剪纸商品,逐渐向市场运作转轨,形成规模文化产业,既可以满足人民群众日益增长的精神文化需求,又可使雕花剪纸行业收获相当的经济收益。通过这种生产性质的保护手段来使剪纸艺术得以不断的传承和发展。本文将从保护民间剪纸艺人、大力推广剪纸文化和大力发展相关产业等方面来阐述生产性保护中的一些可行性措施,并针对生产性保护中容易出现的相关问题,比如过度开发生产,产品泛滥,文化流失等一一提出分析,尤其是要正确处理好生产与保护之间的关系,在通过生产获取经济收益的同时也能使剪纸艺术的文化内涵和工艺特色得以真实、完整的传承。
[Abstract]:Xiaogan carved paper-cut is an ancient folk culture and art of Xiaogan. It has a long history and rich cultural connotation. It takes the historical allusions of filial piety culture as its theme and interprets the customs and customs of filial piety from a special perspective. In its long and tortuous process of development, the composition of different periods, different regions of the achievements of the integration of China's northern paper-cutting rough and southern carving of the exquisite carved, in the artistic style of eclectic, self-made, Formed a unique artistic style. The application of carved paper-cut in daily life is very extensive. From the sample of handicraft embroidery to every aspect of people's daily life, including interior decoration, newspaper and periodicals, gift decoration, logo design, advertising, film and television media, Illustrations, bookmarks, etc., with very strong artistic, ornamental and decorative properties, which are welcomed by the broad masses of people. In 2008, Xiaogan carved paper-cut was approved by the State Council to be included in the first batch of national expanded lists of intangible cultural heritage. Xiaogan is therefore known as "the hometown of Chinese folk culture and art". With the passage of time and the development of market economy, in the 21 century, Xiaogan carved paper-cut gradually into an awkward situation. The impact of various new literature and art makes the aesthetic concept of folk traditional culture and art begin to become weak gradually, the development of carved paper-cut industry lacks of fund support, and its market cognitive space is limited, so it has not formed "scale effect". The livelihood of folk paper-cut artists is not guaranteed, resulting in fewer and fewer artists participating in paper-cutting; the age group of artists engaged in the paper-cutting industry is gradually rising, and old artists have died, and many skilled skills have not been inherited. As a result of Xiaogan engraved paper-cut faced with yellow and yellow, near the risk of loss. The paper-cut art of engraving is produced in production practice. Its cultural connotation and technical value should be reflected by the craft works produced, so that the paper-cut art can last forever and reproduce its former splendor. The productive protection is undoubtedly the most appropriate means of protection. On the basis of effective protection, paper-cut commodities with filial piety, national characteristics and market potential have been developed, and gradually transformed to the market, forming a cultural industry of scale, which can not only meet the increasing spiritual and cultural needs of the people, but also meet the growing spiritual and cultural needs of the people. Can also make engraving paper-cut industry to reap considerable economic benefits. Through this kind of production nature protection means to enable the paper-cut art to continue to inherit and develop. This paper will explain some feasible measures in productive protection from the aspects of protecting folk paper-cut artists, vigorously promoting paper-cut culture and developing related industries, and aiming at the related problems that are easy to appear in productive protection. For example, overdevelopment and production, overflowing of products, cultural loss, etc., one by one, should be analyzed, especially to correctly handle the relationship between production and protection. At the same time, it can make the cultural connotation and craft characteristic of paper-cut art true and complete.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J528.1

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