清代乾隆时期壁瓶艺术的研究
发布时间：2018-07-14 18:36
【摘要】：随着社会的不断进步，人们对生活品质的要求日益提高，在生活需求上促进了我国瓷器的发展，并且出现了许多造型独特的瓷器种类。在瓷器的发展史中，瓷器种类的发展和创新，除了一方面要根据当时生产工艺的发展以外，更大程度上还是要依靠社会政治和经济，同时皇室家族的帝王生活、兴趣爱好和审美要求，也会对瓷器的造型、装饰以及制作等方面产生影响。 清代的瓷器在烧制技术上已经趋于成熟，其中乾隆时期是中国瓷器烧制达到极盛的时代，这一时期的官窑瓷器以其丰富多彩的品种和技艺精湛的制作而著称于世。壁瓶的出现成为了这个时代瓷器造型创新的典型代表，同时它也是清代宫廷审美文化中的一个具有时代特征的产物。壁瓶始见于明宣德朝，器型为常见花瓶之半。在明万历年间兴盛，造型丰富，装饰品种多样化，多为青花、五彩和蓝釉。到了清代各朝，，壁瓶开始大量生产，出现了许多独特的造型，无论是在装饰还是工艺上都已经达到了当时最高水平。本文试图从皇室家族的审美需要，借助对壁瓶相关资料的收集和整理，通过分析和比较，探究壁瓶装饰的产生极其内涵是如何被发展和丰富的。并试图从宫廷生活中的装饰造型要求中发掘时代对陶瓷器型发展的创新及影响。
[Abstract]:With the continuous progress of the society, people's demands on the quality of life are improving day by day, which promotes the development of china in our country in the aspect of life demand, and many kinds of porcelain with unique shape have appeared. In the history of the development of porcelain, the development and innovation of porcelain types not only depended on the development of production techniques at that time, but also depended to a greater extent on social politics and economy, and on the imperial life of the royal family. Hobbies and aesthetic requirements will also have an impact on the shape, decoration and production of porcelain. The firing technology of porcelain in Qing Dynasty has matured, among which Qianlong period is the period of Chinese porcelain firing to the extremely prosperous, this period official kiln porcelain is famous for its rich and colorful variety and exquisite craftsmanship in the world. The appearance of the wall bottle has become a typical representative of the porcelain modeling innovation in this era, and it is also a product of the Qing Dynasty palace aesthetic culture with the characteristics of the times. The wall bottle was first seen in the Ming Dynasty, Xuande Dynasty, the type of the common vase half. In Ming Wanli prosperous, rich shape, variety of decoration, mostly for blue and white, multicolored and blue glaze. By the Qing Dynasty, the wall bottles began to be produced in large quantities, and many unique shapes appeared, both in decoration and technology, which had reached the highest level at that time. Based on the aesthetic needs of the royal family and the collection and arrangement of the relevant materials of the wall bottle, this paper attempts to explore how the appearance and connotation of the wall bottle decoration is developed and enriched through analysis and comparison. It also tries to explore the innovation and influence of the times on the development of ceramic from the requirements of decorative modeling in court life.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
本文编号：2122595
[Abstract]:With the continuous progress of the society, people's demands on the quality of life are improving day by day, which promotes the development of china in our country in the aspect of life demand, and many kinds of porcelain with unique shape have appeared. In the history of the development of porcelain, the development and innovation of porcelain types not only depended on the development of production techniques at that time, but also depended to a greater extent on social politics and economy, and on the imperial life of the royal family. Hobbies and aesthetic requirements will also have an impact on the shape, decoration and production of porcelain. The firing technology of porcelain in Qing Dynasty has matured, among which Qianlong period is the period of Chinese porcelain firing to the extremely prosperous, this period official kiln porcelain is famous for its rich and colorful variety and exquisite craftsmanship in the world. The appearance of the wall bottle has become a typical representative of the porcelain modeling innovation in this era, and it is also a product of the Qing Dynasty palace aesthetic culture with the characteristics of the times. The wall bottle was first seen in the Ming Dynasty, Xuande Dynasty, the type of the common vase half. In Ming Wanli prosperous, rich shape, variety of decoration, mostly for blue and white, multicolored and blue glaze. By the Qing Dynasty, the wall bottles began to be produced in large quantities, and many unique shapes appeared, both in decoration and technology, which had reached the highest level at that time. Based on the aesthetic needs of the royal family and the collection and arrangement of the relevant materials of the wall bottle, this paper attempts to explore how the appearance and connotation of the wall bottle decoration is developed and enriched through analysis and comparison. It also tries to explore the innovation and influence of the times on the development of ceramic from the requirements of decorative modeling in court life.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
【参考文献】
相关期刊论文 前1条
1 刘伟;清宫旧藏藏传佛教风格瓷器与帝王宗教信仰[J];中国藏学;2004年01期
本文编号：2122595
本文链接：https://www.wllwen.com/jingjilunwen/lyjj/2122595.html
