中华髹饰工艺的衍生发展及其与东亚髹饰工艺的交流
发布时间：2018-07-23 10:00
【摘要】：作者通过对境内及东亚各国、欧美诸国的田野调查,将中华髹饰工艺的衍生发展及其与东亚髹饰工艺的相互交流线索作概括梳理,认为在当今开放的国际语境之下,只有以国际化的高度与视野进行跨民族国家的体系研究,才能够真正理清中国髹饰工艺成长衍变精进乃至倒退失传的脉络,民族风格的强化在于本民族的自信,"独巧不传"则等于抱残守缺。
[Abstract]:Based on the field investigation in East Asia, Europe and America, the author summarizes the derivative development of Chinese painting technology and its mutual communication clues with East Asian painting technology, and thinks that in the open international context, Only by studying the inter-national system from the perspective of internationalization, can we truly understand the development, evolution and even retrogression of China's painting technology. The strengthening of national style lies in the self-confidence of the nation.
【作者单位】： 东南大学艺术学院;
【基金】：国家“211工程”三期“艺术学理论创新与应用研究”项目阶段性成果之一
【分类号】：J527;G125
[Abstract]:Based on the field investigation in East Asia, Europe and America, the author summarizes the derivative development of Chinese painting technology and its mutual communication clues with East Asian painting technology, and thinks that in the open international context, Only by studying the inter-national system from the perspective of internationalization, can we truly understand the development, evolution and even retrogression of China's painting technology. The strengthening of national style lies in the self-confidence of the nation.
【作者单位】： 东南大学艺术学院;
【基金】：国家“211工程”三期“艺术学理论创新与应用研究”项目阶段性成果之一
【分类号】：J527;G125
【参考文献】
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