论景德镇现代陶艺观念的创新

发布时间：2018-07-25 08:14

【摘要】：从艺术形式和风格来看，尽管景德镇制瓷业的发展经历了1000多年的历史，然而其真正意义上的创新是从上世纪50年代才开始的，这源于其设计观念的创新。而从陶瓷艺术走向陶艺的演变则出现在80年代以后，由于西方现代艺术思想的大量涌入，部分艺术名家为景德镇陶瓷艺术注入新鲜血液，以及人们对工业化大生产反思及传统工艺美术审美的批评和质疑，促成了具有30多年历史的景德镇现代陶艺观念创新之路。在这条道路上，现代陶艺逐渐脱胎于传统陶瓷艺术，在景德镇成型、发展、成熟，并逐渐形成了自身的艺术风格，融入了新的观念元素的现代陶艺作品大量涌现。景德镇现代陶艺已经成为景德镇陶瓷艺术中一个独立的门类，虽然这些作品并未形成一种统一的样式和风格，，但从他们对传统的反叛、对艺术的思考以及对现实的超越中可以看到，景德镇现代陶艺区别于传统陶瓷的自我提升，以及与西方现代陶艺开放化创作观念的区别。近年来，在景德镇陶瓷发展历程中，现代陶艺观念逐渐展现出个性独特的审美趣味和艺术特点，主要呈现为多样性，自主性和开放性。但同时我们也应看到其发展过程中出现的问题，由于西方开放式文化与中国本土性传统保守文化的冲突，纯艺术与商品化之间的矛盾，技术和工艺等因素的影响，景德镇现代陶艺创作观念也正面临着新一轮的改革和创新。本文通过对景德镇现代陶艺发展历程和背景进行详细的分析，运用观念艺术的概念解释其观念中的创新元素，总结出其发展中一些进步成果和可取之处；同时，试图发现景德镇现代陶艺观念创新遇到的困惑和瓶颈，并从挣脱盲目的功利化创作观念的羁绊、对现有陶艺观念的拓展和对民族精髓文化观念的传承这三个方面提出可行性的解决思路。
[Abstract]:In terms of artistic form and style, although the development of Jingdezhen porcelain industry has experienced more than 1000 years of history, its real sense of innovation began from the 1950s, which originated from the innovation of its design concept. However, the evolution from ceramic art to ceramic art appeared in the 1980s. As a result of the influx of western modern art ideas, some famous artists injected fresh blood into Jingdezhen ceramic art. The introspection of industrialization and the criticism and doubt of traditional arts and crafts aesthetics have promoted the innovation of Jingdezhen's modern ceramic art concept with a history of more than 30 years. On this road, modern ceramic art gradually emerged from the traditional ceramic art, formed, developed, matured in Jingdezhen, and gradually formed its own artistic style. Jingdezhen modern ceramic art has become an independent category in Jingdezhen ceramic art. Although these works have not formed a unified style and style, they have rebelled against tradition. From the thinking of art and the transcendence of reality, we can see that Jingdezhen's modern ceramic art is different from the self-improvement of traditional ceramics and the difference between Jingdezhen's modern ceramic art and the western modern ceramic art's open creative idea. In recent years, in the development of Jingdezhen ceramics, modern ceramic art concept gradually shows unique aesthetic taste and artistic characteristics, mainly for diversity, autonomy and openness. But at the same time, we should also see the problems in its development, because of the conflict between western open culture and Chinese traditional conservative culture, the contradiction between pure art and commercialization, the influence of technology and craft, etc. Jingdezhen modern pottery creation concept is also facing a new round of reform and innovation. Through the detailed analysis of the development process and background of Jingdezhen's modern ceramic art, this paper uses the concept of conceptual art to explain the innovative elements in its concept, and summarizes some progress achievements and desirable points in its development, at the same time, Trying to find out the confusion and bottleneck encountered in the innovation of Jingdezhen's modern ceramic art concept, and break away from the fetters of blind utilitarian creative idea, To the existing ceramic art concept expansion and to the national essence cultural idea inheritance these three aspects proposed the feasible solution thought.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J527

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