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博山琉璃的工艺技法与艺术风格研究

发布时间:2018-08-03 11:21
【摘要】:中国琉璃自西周生产以来,因受到技术和原料的限制,仅北京和博山两处设有作坊。博山的琉璃业,大约从元末明初起开始成型。博山在自然资源、历史传承、文化影响等多个方面的条件都促成了其发展成为琉璃生产的重镇。博山琉璃种类繁多,工艺精湛,代表着中国琉璃工艺发展的主要方向。但在相当长的时间以来,由于传承至今的载体较少,特别是在不同时期出现的琉璃产品在工艺技法和其艺术风格的的探究上,成文资料极缺,加之琉璃器作为皇家把玩的典范极少出现在民间,它始终属于一个小众的范畴,大多数人对琉璃工艺的了解不多,认识有限。再加上琉璃生产的环境较为恶劣、技术难以短期内学成、企业发展缺乏创新、政府未能足够重视等多方面因素,导致了目前博山琉璃发展缓慢。 本文建立在个人实践学习琉璃工艺,进而完成创作的基础之上,试图梳理博山琉璃发展兴盛的原因及其制作工艺特色,着重对博山琉璃传统制作工艺进行论述。通过对其不同时期品类在艺术风格上的设计学分析,就其工艺技法与艺术风格之间的关联性、新时期博山琉璃的工艺传承与创新发展进行探究。琉璃作为一种特殊材料,应运而生了将其特质发挥到极致的工艺技法,也因其工艺技法的呈现,促成了其艺术风格的流出。 笔者以为,任何工艺的传承都无法脱离时代发展的背景环境作为载体,既要迎合时代发展的需求,又不可全然抛弃传统的工艺。在产品的研发和创新中,需基于当代日常生活进行创作,不断进行工艺技术的革新,并运用当代的设计学理念进行理论指导。与此同时,发展创新性的工作室,在当地文化产业背景下积极进行品牌的打造,利用多种平台深入市场进行推广,希望可以为新时期下博山琉璃的发展带来新的契机。
[Abstract]:Since its production in the Western Zhou Dynasty, only Beijing and Boshan have set up workshops due to technical and raw material restrictions. Bo Shan glaze industry, about from the end of the Yuan Dynasty and the beginning of Ming began to take shape. Boshan in natural resources, historical heritage, cultural impact and other aspects of its development into a major glass production. Boshan glaze variety, exquisite craftsmanship, represents the main direction of the development of glass technology in China. However, for quite a long time, due to the lack of carrier, especially in the exploration of craft techniques and artistic style of glazed glaze products in different periods, written materials are extremely scarce. In addition, as a model of royal play, glass ware rarely appears in the folk, it always belongs to a minority category, most people do not know much about the art of glazed glaze, knowledge is limited. In addition, the environment of glass production is relatively bad, the technology is difficult to learn in the short term, the enterprise development is lack of innovation, the government does not pay enough attention to many factors, which leads to the slow development of Bushan glaze. This paper is based on personal practice to study the art of glazed glaze, and then on the basis of the completion of the creation, trying to comb the reasons for the development and prosperity of Bushan glaze and the characteristics of its production process, focusing on the discussion of the traditional making technology of Bushan glaze. Through the analysis of art style in different periods, this paper probes into the relationship between art technique and art style, and the inheritance and innovation of Bushan glaze in the new period. As a kind of special material, glaze emerges as the times require to exert its characteristic to the extreme craft technique, also because of its craft technique present, promoted its artistic style outflow. The author thinks that the inheritance of any craft can not be separated from the background environment of the development of the times as a carrier, it should not only meet the needs of the development of the times, but also can not completely abandon the traditional technology. In the research and development and innovation of products, it is necessary to create based on the daily life, to innovate the process technology, and to use the contemporary design concept to guide the theory. At the same time, the development of innovative studios, in the context of the local cultural industry actively brand building, using a variety of platforms to promote the market, hoping to bring new opportunities for the development of Bushan glaze under the new era.
【学位授予单位】:云南大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:J527.4

【参考文献】

相关期刊论文 前1条

1 张维用;《颜山杂记·琉璃》校注[J];玻璃与搪瓷;1996年06期



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