科尔沁蒙古族刺绣图案研究

发布时间：2018-10-19 17:14

【摘要】：本文研究的题目为《科尔沁蒙古族刺绣图案考》。蒙古族的刺绣蒙古语叫“哈塔嘎玛拉”，在内蒙古地区，最具代表性的刺绣为科尔沁刺绣。科尔沁刺绣作为装饰图案出现在生产生活中，其极强的视觉效果给人留下了深刻的印象。研究科尔沁刺绣的文献资料很多，但是只依附于蒙古族服饰研究和蒙古族图案研究，只对他的种类、组合规律以及色彩进行了分析，并未对他的形成与蒙古族文化有着怎样的结合做深刻的探讨。科尔沁民间刺绣是牧民在长期的生产劳动中创造出来的，历史悠久，自成体系，具有鲜明的风格特点。科尔沁民间刺绣的创作观念反映了本民族集体意识与个体意识的统一，是客观对象逐渐固定化为集体观念的产物。本文在图像方面考察科尔沁刺绣的形成与发展，总结科尔沁文化与周边各地区文化的相互融合，并说明科尔沁刺绣图案中蕴含的蒙古族文化因素。科尔沁刺绣图案产生于北方原始文化，因此，他的造型、内容是反映蒙古人的生活习惯的。最早出现蒙古族图案是夏家店下层文化出土的陶器上的纹样，阿木尔巴图为首的专家学者认为他的出现是后来游牧民族工艺美术的造型规律与装饰纹样的开端。由于科尔沁刺绣图案的特定环境，使他在形成过程中蕴含着不朽的民族精神和对美好未来的向往，表现出了蒙古人特有的审美观念以及创造精神。本文通过研究科尔沁地区的各个阶层文化修养和审美，反映出科尔沁刺绣所体现的蒙古族文化特点。论文由五个章节组成。第一章为导论部分，主要介绍选题的意义、研究现状以及研究方法等。第二章介绍科尔沁刺绣图案的形成以及发展。第三章及第四章进行图像分析，从科尔沁刺绣图案的造型、色彩、象征以及功能与特点着手，研究科尔沁刺绣图案与蒙古族文化之间存在的必然联系。第五章探讨科尔沁刺绣作为蒙古族文化的一部分，在蒙古族文化中的感染力。最后为总结部分。
[Abstract]:The title of this paper is "A study of Horqin Mongolian embroidery pattern". Mongolian embroidery Mongolian language called "Hata Gamala", in Inner Mongolia, the most representative embroidery for Horqin embroidery. Horqin embroidery as a decorative pattern in production and life, its extremely strong visual effects left a deep impression. There is a lot of literature on Horqin embroidery, but it is only attached to the study of Mongolian costume and the study of Mongolian design, and it only analyzes its kind, combination law and color. There is no deep discussion about his formation and the combination of Mongolian culture. Horqin folk embroidery is created by herdsmen in long-term production. Horqin's idea of folk embroidery reflects the unity of the national collective consciousness and individual consciousness and is the product of the gradual immobilization of objective objects into collective concepts. This paper examines the formation and development of Horqin embroidery in image, summarizes the integration of Horqin culture and surrounding cultures, and explains the Mongolian cultural factors contained in Horqin embroidery patterns. Horqin embroidery pattern originated from the northern primitive culture, therefore, his modeling, the content is a reflection of Mongols' living habits. The earliest Mongolian pattern was the pattern of pottery unearthed from the lower culture of Xia Jia Dian. The experts and scholars headed by Amur Gbatu thought that his appearance was the beginning of the modeling law and decorative pattern of the later nomadic arts and crafts. Because of the special environment of Horqin embroidery pattern, he contains immortal national spirit and yearning for a better future in the process of formation, showing the unique aesthetic concept and creative spirit of the Mongols. Through the study of the cultural accomplishment and aesthetics of various strata in Horqin area, this paper reflects the Mongolian cultural characteristics embodied in Horqin embroidery. The paper consists of five chapters. The first chapter is the introduction, mainly introduces the significance of the topic, research status and research methods. The second chapter introduces the formation and development of Horqin embroidery pattern. The third chapter and the fourth chapter of the image analysis, from the Horqin embroidery design modeling, color, symbol, function and characteristics of the study of Horqin embroidery patterns and Mongolian culture between the existence of the inevitable relationship. Chapter five discusses the appeal of Horqin embroidery as a part of Mongolian culture. The last part is the conclusion.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J523.6

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