新疆维吾尔族纺织品典型植物纹样研究

发布时间：2018-11-17 21:03

【摘要】：植物纹样是装饰艺术纹样题材的重要组成部分，在不同地区和不同民族中具有渐进、阶段性的性质。新疆维吾尔族纺织品植物纹样在新疆维吾尔族装饰艺术体系中占有极其重要地位。目前可知有关维吾尔族纺织品植物纹饰艺术研究多为针对某一种类植物片段或者偏重纺织艺术纹样图例资料形式，针对新疆维吾尔族纺织品植物纹样尚缺乏系统性、整体性的基础研究。本文立足于新疆本土的艺术资源，选取维吾尔族纺织品包括服饰、地毯与花毡、印染花布、绣品上的植物装饰纹样作为研究对象，尝试对其进行较为全面的研究。通过深入挖掘和梳理维吾尔族各类纺织品纹饰艺术资料，分析归纳新疆维吾尔族纺织品植物纹样的造型与装饰手法，并运用文献分析、实地考查等研究方法，从新疆工艺美术的基础性研究角度，将从新疆维吾尔族纺织品中析取的大量植物纹样进行分类整理，，从中撷取五种典型植物纹样，对其造型规律和装饰特征进行探析，进一步探讨多元文化对新疆维吾尔族纺织品植物纹样的影响，并提出了明确的观点。全文共分五个章节，第一章对论文的研究背景、国内外研究现状、研究目的和意义、论文的研究方法和论文的创新点与不足之处做了概括性的介绍。第二章从地理因素和历史因素两个层面探讨新疆维吾尔族纺织品植物纹样存在发展是特定环境下的产物。第三章对新疆维吾尔族纺织品植物纹样进行分类析出、归纳。第四章重点探析五种典型植物纹样（葡萄纹、石榴纹、四瓣花纹、玫瑰花纹和巴旦木纹）在新疆维吾尔族纺织品上呈现的纹样造型序列、装饰偏好及特征。第五部分通过对新疆考古资料和新疆以外其他地区文献资料中典型植物纹样的梳理、比较，进一步探讨新疆维吾尔族纺织品典型植物纹样在造型与装饰背后所蕴含的多元文化因子和本土视觉艺术特征。由以上基础性研究得出结论：新疆维吾尔民族在纺织品植物纹样的观念和实践在不断与东西方纹饰艺术的交流中逐渐与本土化的纹饰艺术传统交融、改造，从而在文化互动中形成了具有新疆本土特点的装饰艺术。新疆维吾尔族纺织品植物纹样具有鲜明的本族群特质，它是承载新疆维吾尔民族文化观念和精神寄托的载体。新疆维吾尔族纺织品植物纹样独特的造型艺术个性与装饰风格的根本走向，不但反映了新疆维吾尔族的宗教信仰、文化民俗和审美理想趋向，同时也是维吾尔民族特定历史生存环境和生存方式下向人们呈现多样统一的视觉张扬途径。
[Abstract]:As an important part of decorative art patterns, plant patterns have a gradual and phased nature in different regions and nationalities. Xinjiang Uygur textile plant pattern occupies an extremely important position in Xinjiang Uygur decorative art system. At present, we know that most of the research on Uygur textile plant pattern art is in the form of illustrative data for a certain kind of plant fragment or emphasis on textile art pattern, while for Xinjiang Uygur textile plant pattern, there is still a lack of systematicness. A fundamental study of integrity. Based on the local art resources of Xinjiang, this paper selects Uygur textiles including clothing, carpet and felt, printing and dyeing cloth, embroidery plant decorative patterns as the research object, try to conduct a more comprehensive study. Through deeply digging and combing the art data of various kinds of Uygur textile patterns, this paper analyzes and sums up the modeling and decoration techniques of Xinjiang Uygur textile plant patterns, and makes use of literature analysis, field inspection and other research methods. From the angle of basic research of Xinjiang arts and crafts, a large number of plant patterns extracted from Xinjiang Uygur textiles are classified and sorted, from which five typical plant patterns are extracted, and their modeling rules and decorative features are analyzed. The effects of multiculturalism on the plant patterns of Uygur textiles in Xinjiang were further discussed, and a clear point of view was put forward. This paper is divided into five chapters. The first chapter gives a general introduction to the research background, the current research situation, the purpose and significance of the research, the research methods, the innovation and the deficiency of the thesis. The second chapter discusses that the existence and development of Xinjiang Uygur textile plant pattern is the product of special environment from two aspects of geographical factors and historical factors. The third chapter classifies and summarizes Xinjiang Uygur textile plant patterns. The fourth chapter focuses on five typical plant patterns (grape pattern, pomegranate pattern, four-petal pattern, rose pattern and Badan grain) on Xinjiang Uygur textiles, decorative preferences and characteristics. In the fifth part, by combing and comparing the typical plant patterns in the archaeological data of Xinjiang and the literature of other regions outside Xinjiang, This paper further discusses the multiculturalism factors and local visual arts characteristics of the typical plant patterns of Xinjiang Uygur textiles in the background of modeling and decoration. From the above basic research, we can draw the conclusion that the concept and practice of Xinjiang Uygur nationality in textile plant pattern gradually blend and transform with the native pattern art tradition in the continuous communication with the eastern and western decorative art. As a result, the decorative art with the local characteristics of Xinjiang was formed in the process of cultural interaction. Xinjiang Uygur textile plant pattern has distinct ethnic characteristics, which is the carrier of Xinjiang Uygur national cultural concept and spiritual sustenance. The basic trend of unique plastic arts and decorative styles of Uygur textile plant patterns in Xinjiang not only reflects the religious belief, cultural folklore and aesthetic ideal trend of Xinjiang Uygur people, At the same time, Uygur nationality under the specific historical living environment and way of existence presents a variety of unified visual publicity way.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J523.1

【相似文献】