现代陶瓷艺术创作研究
发布时间：2018-11-25 21:31
【摘要】：随着现代社会高科技带来经济的飞速发展,人们从生活习惯到审美取向,从意识形态到思维方式都发生了剧烈的变化。快节奏和高效率的现代生活和强烈的社会竞争意识,造成了人们追求更新颖,更刺激的人生观心态。生活方式和社会结构的变化使我们的文学,艺术,以及其他的人文科学都向着现代化形态发展。人们对艺术的审美要求也在不断变化更新,艺术创作时代化,挣脱枷锁,用新的观念去开发.寻找.挖掘.探索新的广阔天地已成为时代的要求。艺术创作要具有时代的审美特性,形成时代风格,表现时代风采,这需要艺术创作者用新的艺术思维方式,新的艺术形式语言,去突破陈旧的,程式化的传统观念与章法。而现代陶艺也正是现代社会和现代文明的产物,与现代科学技术的发展,物质生活的提高以及现代人审美情趣与精神需求的改变等息息相关,是现代陶艺家承载个人思想,个人情感,个人审美的具体化,形象化的媒介。所以现代陶艺创作要在思维方式与形式语言上革新,必须要改变传统陶艺的制陶理念,传统陶瓷的审美观念。而要解决此类问题就必须要对现代陶艺从材料,造型,装饰,工艺与艺术观念等各个方面进行重新的认识与研究。这对陶瓷艺术语言的现代化革新也同时具有重大意义。 其次,陶瓷艺术在中国有渊源流长的悠久历史,这是众所周知的。曾经引领这世界,但由于封建文化的闭关锁国,导致现代文明的思潮进入中国比较晚,直到新中国成立,改革开放,现代艺术在中国才得以广泛流传。中国才慢慢出现了现代陶艺影子。然而一边是传统的束缚,一边是现代的刺激,难免让眼花撩缭乱,手足无措,甚至失去方向。如何向传统学习,继承经典,同时又如何向西方学习,吸取精髓。成为中国现代陶艺家艰巨任务。在此笔者认为唯有静下心来对现代陶艺本体语言的研究,才有可能找到出路。也是中国陶艺现代化的时代要求。 本论文主要研究现代陶艺的自身语言,也就是对组成现代陶艺自身语言的几个基本要素的研究,其中包括材料,造型,装饰,工艺,观念等。文章主要分七大章节,第一章主要是对现代陶艺的一些基本概况做一些介绍,包括现代陶艺的定义,起源,以及发展现状。通过对现代陶艺的基本了解后,本文接下来的第二,三,四,五,六章节分别对组成现代陶艺自身语言的五个基本要素进行分析研究,最后在第七章对这五个基本要素之间的关系进行探讨。通过对组成现代陶艺自身语言的几个要素及他们之间的相互关系的探讨与研究来谈谈我对现代陶艺发展的一些个人见解。
[Abstract]:With the rapid development of economy brought by high technology in modern society, people have changed dramatically from life habits to aesthetic orientation, from ideology to mode of thinking. The fast pace and high efficiency of modern life and the strong sense of social competition have caused people to pursue a more innovative and stimulating outlook on life. Changes in lifestyle and social structure have led to the modernization of our literature, art, and other humanities. People's aesthetic requirements for art are constantly changing, artistic creation times, free from the shackles, with new ideas to develop. Look for. Dig. Exploring new vast fields has become the requirement of the times. Art creation should have the aesthetic characteristics of the times, form the style of the times, and express the style of the times, which requires the artistic creators to break through the old and stylized traditional concepts and rules with new artistic thinking mode and new artistic form language. The modern ceramic art is also the product of modern society and modern civilization. It is closely related to the development of modern science and technology, the improvement of material life and the change of aesthetic taste and spiritual demand of modern people. Personal emotion, the embodiment of personal aesthetics, the medium of visualization. Therefore, modern pottery creation must be innovated in the mode of thinking and formal language, and must change the traditional pottery making idea and the traditional ceramic aesthetic idea. In order to solve these problems, it is necessary to re-understand and study the modern ceramic art from the aspects of material, modeling, decoration, craft and artistic concept. This also has great significance to the modernization innovation of ceramic art language. Secondly, ceramic art in China has a long history, which is well-known. Once led the world, but because of the closed feudal culture, the trend of thought of modern civilization into China is relatively late, until the founding of New China, the reform and opening up, modern art in China can be widely spread. It was only slowly that the shadow of modern pottery appeared in China. But on the one hand is the bondage of tradition, and on the other is the modern stimulus, which inevitably causes confusion, and even loss of direction. How to learn from the tradition, inherit the classic, but also how to learn from the West, absorb the essence. To become a modern ceramic artist in China is an arduous task. In this paper, the author thinks that it is possible to find a way out of the study of modern ceramic art Noumenon language. Also is the Chinese pottery art modernization time request. This paper mainly studies the language of modern ceramic art, that is, the study of several basic elements of modern ceramic art language, including materials, modeling, decoration, technology, ideas and so on. This paper is divided into seven chapters. The first chapter mainly introduces some basic situation of modern ceramic art, including the definition, origin and development of modern ceramic art. Through the basic understanding of modern ceramic art, the second, third, fourth, fifth and sixth chapters of this paper analyze and study the five basic elements of modern ceramic art's own language. Finally, in the seventh chapter, the relationship between the five basic elements is discussed. Through the discussion and research on the elements of modern ceramic art's own language and their mutual relations, this paper discusses my personal views on the development of modern ceramic art.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
本文编号：2357431
[Abstract]:With the rapid development of economy brought by high technology in modern society, people have changed dramatically from life habits to aesthetic orientation, from ideology to mode of thinking. The fast pace and high efficiency of modern life and the strong sense of social competition have caused people to pursue a more innovative and stimulating outlook on life. Changes in lifestyle and social structure have led to the modernization of our literature, art, and other humanities. People's aesthetic requirements for art are constantly changing, artistic creation times, free from the shackles, with new ideas to develop. Look for. Dig. Exploring new vast fields has become the requirement of the times. Art creation should have the aesthetic characteristics of the times, form the style of the times, and express the style of the times, which requires the artistic creators to break through the old and stylized traditional concepts and rules with new artistic thinking mode and new artistic form language. The modern ceramic art is also the product of modern society and modern civilization. It is closely related to the development of modern science and technology, the improvement of material life and the change of aesthetic taste and spiritual demand of modern people. Personal emotion, the embodiment of personal aesthetics, the medium of visualization. Therefore, modern pottery creation must be innovated in the mode of thinking and formal language, and must change the traditional pottery making idea and the traditional ceramic aesthetic idea. In order to solve these problems, it is necessary to re-understand and study the modern ceramic art from the aspects of material, modeling, decoration, craft and artistic concept. This also has great significance to the modernization innovation of ceramic art language. Secondly, ceramic art in China has a long history, which is well-known. Once led the world, but because of the closed feudal culture, the trend of thought of modern civilization into China is relatively late, until the founding of New China, the reform and opening up, modern art in China can be widely spread. It was only slowly that the shadow of modern pottery appeared in China. But on the one hand is the bondage of tradition, and on the other is the modern stimulus, which inevitably causes confusion, and even loss of direction. How to learn from the tradition, inherit the classic, but also how to learn from the West, absorb the essence. To become a modern ceramic artist in China is an arduous task. In this paper, the author thinks that it is possible to find a way out of the study of modern ceramic art Noumenon language. Also is the Chinese pottery art modernization time request. This paper mainly studies the language of modern ceramic art, that is, the study of several basic elements of modern ceramic art language, including materials, modeling, decoration, technology, ideas and so on. This paper is divided into seven chapters. The first chapter mainly introduces some basic situation of modern ceramic art, including the definition, origin and development of modern ceramic art. Through the basic understanding of modern ceramic art, the second, third, fourth, fifth and sixth chapters of this paper analyze and study the five basic elements of modern ceramic art's own language. Finally, in the seventh chapter, the relationship between the five basic elements is discussed. Through the discussion and research on the elements of modern ceramic art's own language and their mutual relations, this paper discusses my personal views on the development of modern ceramic art.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
【参考文献】
相关期刊论文 前2条
1 唐珂;;简论现代陶艺产生的社会文化渊源及早期的理论指导[J];美术观察;2009年03期
2 何洁;;再生与回归——写在远宏陶艺作品展之际[J];中国陶艺家;2011年01期
，本文编号：2357431
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