民间剪纸艺术在艺术设计中的应用研究
发布时间：2018-12-23 18:18
【摘要】：随着我国经济的社会化水平不断提高，对文化的需求日趋强烈，文化的多元化趋势也日益加深，外来文化不断冲击着本土文化，民间文化固有的优势、地位受到影响，但可喜的是，国内的不少设计师热衷于借鉴国外先进的设计理念，，但善于将其与本土文化相结合而逐步形成具有鲜明特征的设计风格。比如像我国著名的建筑学家吴良镛先生。他所主持的“菊儿胡同四合院”改造项目就是西方的设计与中国本土文化的一次成功的融合。但是也有不少设计师对中国的传统文化认识不够，钻研的还不深，甚至一些设计师刻意推崇国外设计大师的标新立异的设计效果，进而忽视了传统文化继承与发展，相对的减少了对传统文化内涵的探索。因此面对当今设计中出现的状况，我们应当在借鉴国外优秀文化的同时重视对传统文化的继承，因为只有民族的东西才是国际的。本文所提到的剪纸艺术正是浩瀚的本土文化中的一隅，希望对其的研究能够激发国内设计师充分发掘珍贵的传统文化的激情与使命，以期使我们的本土文化能够发扬光大。
[Abstract]:With the continuous improvement of our country's economic socialization level, the demand for culture is becoming more and more intense, and the trend of cultural pluralism is deepening day by day. Foreign culture is constantly impacting local culture, and the inherent advantages and status of folk culture are affected. But what is gratifying is that many domestic designers are keen to learn from the advanced design ideas of foreign countries, but they are good at combining them with local culture and gradually forming a design style with distinct characteristics. For example, China's famous architect Wu Liangyong. The transformation project of Ju er Hu Tong Siheyuan is a successful fusion of Western design and Chinese native culture. However, there are also many designers who do not have enough understanding of Chinese traditional culture and do not study deeply. Even some designers deliberately admire the innovative design effects of foreign design masters, thus neglecting the inheritance and development of traditional culture. It reduces the exploration of the connotation of traditional culture. Therefore, in the face of the current design situation, we should learn from foreign excellent culture and attach importance to the inheritance of traditional culture, because only the national thing is international. The paper-cut art mentioned in this paper is just a corner of the vast local culture. I hope that the research of paper-cut art can inspire the domestic designers to fully explore the passion and mission of precious traditional culture so that our local culture can be carried forward.
【学位授予单位】：青岛理工大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J528.1
本文编号：2390071
[Abstract]:With the continuous improvement of our country's economic socialization level, the demand for culture is becoming more and more intense, and the trend of cultural pluralism is deepening day by day. Foreign culture is constantly impacting local culture, and the inherent advantages and status of folk culture are affected. But what is gratifying is that many domestic designers are keen to learn from the advanced design ideas of foreign countries, but they are good at combining them with local culture and gradually forming a design style with distinct characteristics. For example, China's famous architect Wu Liangyong. The transformation project of Ju er Hu Tong Siheyuan is a successful fusion of Western design and Chinese native culture. However, there are also many designers who do not have enough understanding of Chinese traditional culture and do not study deeply. Even some designers deliberately admire the innovative design effects of foreign design masters, thus neglecting the inheritance and development of traditional culture. It reduces the exploration of the connotation of traditional culture. Therefore, in the face of the current design situation, we should learn from foreign excellent culture and attach importance to the inheritance of traditional culture, because only the national thing is international. The paper-cut art mentioned in this paper is just a corner of the vast local culture. I hope that the research of paper-cut art can inspire the domestic designers to fully explore the passion and mission of precious traditional culture so that our local culture can be carried forward.
【学位授予单位】：青岛理工大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J528.1
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本文编号：2390071
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