黄金四目——古代巫傩面具的模式与想象
发布时间：2019-03-30 21:24
【摘要】：正方相氏"黄金四目"是中国古代巫傩文化中经常讨论的问题,可是,关于古巫方相氏舞傩时所戴的面具究竟是个什么样子,至今仍在争论中。总结"方相四目"研究的各种观点,其形制类型不外乎以下三种:方相氏面具二目加上巫师人面二目所构成的内外或上下四目迭化说,…神兽、神人四目异质同构说,[2]面具上下排列或前后四目架构说。[3]除此之外,还有学者从甲骨文字中寻找"黄金四目"的踪迹。[4]随着研究的深入,还有越来越多的观点被提出。本文试图将"黄金四目"放回到中国古代巫术文化演进的历史情境当中,
[Abstract]:The "Golden four eyes" is a question often discussed in the ancient Chinese witchcraft culture. However, there is still a debate about what the mask used in the dance of Nuo in the ancient sorcery is. Summing up the various views of the study of "square phase four eyes", its form types are only the following three types: Fang Xiang's mask two eyes plus the wizard face two eyes composed of the inside and outside or the top and bottom of the four-eye overlapping theory, 鈥，
本文编号：2450501
[Abstract]:The "Golden four eyes" is a question often discussed in the ancient Chinese witchcraft culture. However, there is still a debate about what the mask used in the dance of Nuo in the ancient sorcery is. Summing up the various views of the study of "square phase four eyes", its form types are only the following three types: Fang Xiang's mask two eyes plus the wizard face two eyes composed of the inside and outside or the top and bottom of the four-eye overlapping theory, 鈥，
本文编号：2450501
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