清代漆艺家具的装饰性研究
发布时间：2019-05-22 18:42
【摘要】：清代是中国封建社会最后一个王朝。从1636年建立到1912年灭亡，历经二百多年。清代前期的漆艺家具一方面沿着明代时期家具惯性方向继续发展，一方面又显示出与明代时期家具不同的特点。代之以绚丽、豪华、繁缛的富贵气派。在装饰风格上，清代时期的漆艺家具极尽雕琢彩绘之能事，竭力追求富丽华贵的皇家气派。在造型上浑厚、庄重，装饰上求多、求满、求富贵、求华丽，常见通体装饰、没有空白，达到空前的富丽和辉煌。用材上，讲究纯正，大气，整体用料壮硕厚重，做工精细。漆艺家具造型的气质，雕饰的浩繁精丽，，形体的庞大和作风的大富大贵与清宫廷统治者的权势和欲望相得益彰。后期，在纹饰上采用西洋装饰，手法多样，细腻入微，繁褥精密，尽现一派富丽辉煌。 “纵观各式家具，其装饰的意义主要从三个方面去考察：一是装饰部位，二是装饰手法，三是装饰的题材和内容。”【1】在某一件家具上，这三个方面常常是相互联系、又各自独立的，如对某一部位的装饰，既要通过某种装饰手法去表现，也离不开一定的装饰题材和内容；如果说，漆艺家具的结构和造型主要是为了满足使用功能的要求，那么，漆艺家具绚丽、豪华的装饰则是增进美观，或者说它重点突出的是装饰美。因此，本文对结构和造型传达的审美意味，对家具的结构和造型所发挥的功能作用，不再作特别的阐述，只就装饰的本义或出发点来讨论清代漆艺家具，以及这种装饰艺术的内容、形式及其意义。
[Abstract]:The Qing Dynasty was the last dynasty in Chinese feudal society. It lasted more than 200 years from its founding in 1636 to its demise in 1912. On the one hand, lacquer furniture in the early Qing Dynasty continued to develop along the inertia direction of furniture in Ming Dynasty, on the other hand, it showed different characteristics from furniture in Ming Dynasty. Replaced by gorgeous, luxurious, elaborate rich style. In terms of decoration style, lacquer furniture in Qing Dynasty tried its best to carve and paint, and tried its best to pursue the rich and magnificent royal style. In the shape of thick, solemn, decorative more, full, rich, gorgeous, common body decoration, there is no blank, to achieve unprecedented prosperity and brilliance.? On the use of materials, pay attention to purity, atmosphere, the overall use of strong and heavy materials, fine workmanship. The temperament of lacquer furniture modeling, the numerous and exquisite sculptures, the huge shape and the great wealth and style of style complement each other with the power and desire of the rulers of the Qing Dynasty. Later, in the ornaments on the use of Western decoration, various techniques, delicate into the micro, bedding precision, to show a rich and brilliant. "throughout all kinds of furniture, the significance of decoration is mainly investigated from three aspects: one is the decorative part, the other is the decorative technique, and the third is the subject matter and content of the decoration." [1] on a certain piece of furniture, these three aspects are often related to each other. And their own independent, such as a certain part of the decoration, not only through a certain decoration techniques to express, but also can not be separated from a certain decorative theme and content; If the structure and modeling of lacquer furniture is mainly to meet the requirements of the use of functions, then lacquer furniture is gorgeous, luxurious decoration is to improve beauty, or its focus is decorative beauty. Therefore, this paper no longer makes a special exposition on the aesthetic meaning of structure and modeling and the function of furniture structure and modeling, but only discusses the lacquer furniture of Qing Dynasty on the original meaning or starting point of decoration. And the content, form and significance of this kind of decorative art.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
[Abstract]:The Qing Dynasty was the last dynasty in Chinese feudal society. It lasted more than 200 years from its founding in 1636 to its demise in 1912. On the one hand, lacquer furniture in the early Qing Dynasty continued to develop along the inertia direction of furniture in Ming Dynasty, on the other hand, it showed different characteristics from furniture in Ming Dynasty. Replaced by gorgeous, luxurious, elaborate rich style. In terms of decoration style, lacquer furniture in Qing Dynasty tried its best to carve and paint, and tried its best to pursue the rich and magnificent royal style. In the shape of thick, solemn, decorative more, full, rich, gorgeous, common body decoration, there is no blank, to achieve unprecedented prosperity and brilliance.? On the use of materials, pay attention to purity, atmosphere, the overall use of strong and heavy materials, fine workmanship. The temperament of lacquer furniture modeling, the numerous and exquisite sculptures, the huge shape and the great wealth and style of style complement each other with the power and desire of the rulers of the Qing Dynasty. Later, in the ornaments on the use of Western decoration, various techniques, delicate into the micro, bedding precision, to show a rich and brilliant. "throughout all kinds of furniture, the significance of decoration is mainly investigated from three aspects: one is the decorative part, the other is the decorative technique, and the third is the subject matter and content of the decoration." [1] on a certain piece of furniture, these three aspects are often related to each other. And their own independent, such as a certain part of the decoration, not only through a certain decoration techniques to express, but also can not be separated from a certain decorative theme and content; If the structure and modeling of lacquer furniture is mainly to meet the requirements of the use of functions, then lacquer furniture is gorgeous, luxurious decoration is to improve beauty, or its focus is decorative beauty. Therefore, this paper no longer makes a special exposition on the aesthetic meaning of structure and modeling and the function of furniture structure and modeling, but only discusses the lacquer furniture of Qing Dynasty on the original meaning or starting point of decoration. And the content, form and significance of this kind of decorative art.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
【参考文献】
相关期刊论文 前10条
1 胡德生;明清家具花纹装饰寓意[J];新材料新装饰;2005年05期
2 朱家n
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