美国电影里的中国元素（2000-2013）

发布时间：2018-01-08 15:06

本文关键词：美国电影里的中国元素（2000-2013）　出处：《兰州大学》2014年硕士论文　论文类型：学位论文

【摘要】：现如今的美国电影,在美国的全球化战略中,不再只具有从属于工业化经济体制内的商业功能,而是被更多地赋予了文化属性。加之美国的移民国家性质,从一开始便促使美国电影所针对的对象并不是某一个民族的观众,而是将情节设定在其他不同民族文化的背景中,配合其所宣扬的平等、自由的“美国精神”,以此,来为其全球性的扩张赢得更加广泛的人心市场。 “美国电影里的中国元素”这一文化现象,最早可追溯到电影诞生之初的年代,并且在之后的整个世纪里都持续发生着变化,尤其是新世纪以来,伴随着中美之间各领域的交流与合作机会的增多,以及中国经济的崛起和腾飞,如此潜力巨大的利润市场自然逃不开美国电影制片商们的觊觎。于是,包含了各种各样的中国元素的美国电影被越来越多地呈现到了包括中国观众在内的世界各国观众的面前。本文以历史实证与具体案例分析相结合的研究方法,首先对“美国电影里的中国元素”这一现象的研究背景及意义、研究现状与内容进行了简要总结和概述,从中指出,当前众多的“美国制造”正在或正面、或负面地呈现着中国文化,我们应当从中清醒地认识和发现自己,这对于我国文化的自主传播在今后能够进行更好地定位和发展具有着不容小觑的积极意义。相对于这一现象所受到的诸多关注和热议,“美国电影里的中国元素”这一课题在国内的研究虽然已初见成效,但仍存在诸如专著稀缺、论文陈旧等问题。其次,本文从精神层面和物质层面两个部分重点梳理和分析了新世纪以来的十多年间这一文化现象所呈现的显性表现。精神层面的内容主要分成文化精神与文化符号两个部分,其中主要对中国文化中的精粹“和合”文化,以及传统符号中“龙”的形象进行了总结和分析。物质层面则主要侧重于梳理城市景观和民族服饰两个方面的内容,其中以中国香港、上海、西藏等城市、地区,以及中国传统服饰中的唐装、旗袍等作为重点研究对象进行了解析。通过对以上内容的分析,得出中国元素在美国电影中呈现的态势是日趋活跃的,并且日渐被整合成美国电影所要涉及的几乎所有方面,从中也能够更加了解美国电影中“药片上的糖衣”这一影像加工方式在向外的输出过程中的特征。再次,本文分析了这一时期美国电影里的隐性态度的发展状况,从镜头语言的“潜台词”和台词语言的褒贬态度中,对其中一些重要作品做出了解析,进而总结出,造成以上种种扭曲和误读的深层原因,除了长久以来遗留在美国社会中的根深蒂固的种族偏见外,更多地来自于对中国传统文化的了解不够深入真切,不能够也难以理解其中蕴含的真实含义,以及对时下国际形势的误判和一厢情愿。最后,以电影本体论和政治、经济、文化等角度相结合的研究方法,通过对这一文化现象在不同阶段所呈现的特征及原因分析,得出了美国银幕上各色中国元素的缔造无外乎是时代的晴雨表,反映了美国大众对中国的观感乃至中美关系的健康程度。然后通过新世纪以来中国内地电影票房数据和影院银幕数的比较,找出美国电影日益推崇中国元素的最主要原因,是出于对中国电影市场的占有目的而贯彻的“接受来自票房检验”这一商业美学；然后从其国际化的成功经验中发掘出对于我过电影产业发展和创新所带来的强大借鉴意义,以及我国电影产业在文化的消费和继承中需要面临和解决的问题。
[Abstract]:Now the American film, the globalization strategy in the United States, not only subordinate to the industrialized economy within the system business function, but is more endowed with cultural attributes. And the character of the United States immigration country, from the beginning to the American film the object is not a national audience, but will the plot is set in the different national culture background, with its professed equality, freedom of "American spirit", in order to win more exciting market for its global expansion.
"American movie Chinese elements" of this cultural phenomenon, the earliest can be traced back to the birth of film at the beginning of the era, and after the whole century are continuously changing, especially since the new century, with the increase of opportunities for exchanges and cooperation between China and the United States in various fields, and the rise of economy and Chinese take off, so the huge potential market profit natural can not escape the American film studios coveted. Thus, contains a variety of China elements of American movies are becoming more and more important to the front of the audience, including Chinese audiences all over the world.
This research method combining with empirical analysis and case history, the first of the "American movie China element" the phenomenon of the research background and significance, status and research content are briefly summarized and reviewed, pointed out that the current number of "America" is positive or negative, or present China culture, we should be aware of and from the independent found himself, the spreading of Chinese culture in the future can be a better positioning and development has a positive significance should not be underestimated. Compared to a lot of concern and hot subject of this phenomenon on the issue of "American movie Chinese elements" in China although has achieved initial success, but there are still some problems such as the scarcity of the old books,.
Secondly, this article from the spiritual and material aspects of the two part focuses on the analysis and analysis of the dominant presentation more than 10 years since the new century of this cultural phenomenon. The spiritual content is mainly divided into two parts: cultural spirit and cultural symbols, which focuses on the Chinese culture the essence of "harmony" culture, and the image of the traditional symbol of "dragon" are summarized and analyzed. The material level is mainly focused on two aspects of city landscape and national dress content, which Chinese Hongkong, Shanghai, Tibet City, area, and costume China in traditional costumes, dress and so on as the key research object is analyzed through. On the analysis of the above content, the Chinese elements are present in the American movie trend is increasingly active, and gradually be integrated into almost all aspects of the film to be involved in. To know more about the American film "pill" icing on the way in the image processing to the output of the process characteristics.
Again, this paper analyzes the development status of implicit attitude of American movies during this period, from the language of the camera's subtext and lines language attitudes, made analysis on some important works, and summed up the deep layer, causes the above distortions and misunderstanding, but for a long time left in the United States in the Society of ingrained racial prejudice, more from the traditional culture of Chinese lack of understanding of the real, can not understand the true meaning of it is difficult to contain, and on the current international situation misjudgment and wishful.
Finally, the film ontology and the political, economic, cultural and other research methods in view of combination, through the analysis of the characteristics and causes of this cultural phenomenon which appears in different stages, the United States to create the screen colors China elements there is a barometer of the times, reflecting the health of the American public perception Chinese and Sino US relations. Then by comparing the China mainland movie box office data and the number of cinema screens in the new century, to find out the main reason of American movies increasingly respected China elements, is for the purpose of possession of China film market and implement the "accept the inspection from the box office" business from its successful experience and aesthetics; the internationalization of the unearthed for my movie industry development and innovation has brought the powerful reference, as well as China's film industry in the consumption and inheritance of culture in the face to face Facing and solving problems.

【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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