南北朝乐府民歌曲辞音乐性研究

发布时间：2018-01-10 08:33

本文关键词：南北朝乐府民歌曲辞音乐性研究　出处：《湖南师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：南北朝乐府民歌是继周民歌和汉乐府民歌之后以比较集中的方式出现的又一批人民口头创作,是我国诗歌史上又一新的发展。它不仅反映了新的社会现实,而且创造了新的艺术形式和风格。对南北朝乐府民歌音乐性的研究从一定程度上可以将当时无序的文学自觉性创作予以归纳和总结。南朝和北朝乐府民歌虽是同一时代的产物,但由于南北的长期对峙,北朝又受鲜卑贵族的统治,政治、经济、文化以及民族风尚、自然环境等大都不相同,因而南北朝乐府民歌也呈现出不同的色彩和情调。民歌曲辞文化具有的双重性与学科交叉性、音乐实践形态的多元性,是学术界从音乐文化背景研究乐府歌辞的重要依据。在以往的研究中,从音乐视角介入的研究者往往缺少对“歌辞”诗歌史意义的关注,反之,从文学视角介入的研究者则缺少对“歌辞”文学特性形成的音乐基础的关注。有鉴于此,本文努力在音乐背景与歌辞文学形态演进之间寻找二者内在的联系,将南北朝“歌辞”置于当时音乐文化建构和具体音乐活动中进行审视和描述,从而认识“歌辞”丰富而复杂的多重意义,阐释由此引出的歌辞文学与文学史的若干问题。本论文以上述观点为逻辑思路进行撰写,全文共分为三章。引言部分为研究综述,包括与选题相关的、很贴近的学术研究的历史、现状述评,总结前人对南北朝乐府诗歌音乐性研究的成果,以及选题的意义、研究内容、研究思路和方法。第一章从语音系统分析乐府民歌的音乐性,即乐府诗歌声调与歌辞曲调之间的关系,提出后一章具体诗歌音乐分析的理论基础,对后文的译谱做一个简要的说明。第二章运用前一章所述分析方法,引具体南北朝民歌曲辞实例逐句分析其音乐性的特点,包括南朝民歌当中西曲歌和吴声歌曲的富丽婉转、明快含蓄,神弦歌的曲风奇异、构造繁复以及杂曲歌谣的自由结构、曲调丰富；然后分析北朝民歌,主要是梁鼓角横吹曲的音乐性,从五言、七言、杂言等不同体式入手分析北朝民歌沉稳厚重、高亢悠扬的音乐性特征。第三章分析南北朝乐府民歌音乐性特征的价值和意义,包括文学意义和史学意义,其中文学意义包括文学和美学层面,文学意义具体到由“歌”到“诗”的转变,促进文人乐府与民歌融合,对后世音乐文学的启发；美学意义具体到对南北朝的时代审美感受影响；史学意义包括乐制史、文化史、伦理史三个层面,乐制史意义从改变了专属机构设置、促进乐律规范化角度分析,文化史意义重点从民歌地位转变、有利于南北文化交流和胡汉民族融合角度分析,伦理史意义从与传统乐教的对立和统一,以及构建天人合一的南北朝音乐伦理观念两个角度进行分析。
[Abstract]:The northern and Southern Dynasties Yuefu folk songs is also a group of people after a week of oral creation of folk songs and folk songs in Han Dynasty in more concentrated way, is a new development of Chinese poetry history. It not only reflects the new social reality, but also created a new art form and style of folk songs of music. The northern and Southern Dynasties to some extent from the literary consciousness of creation can be disorderly to summarize. The Southern Dynasties and the Northern Dynasties folk songs is the product of the same age, but due to the long confrontation between the north and south of the Northern Dynasties, but also by the Xianbei aristocracy, the political, economic, cultural and ethnic customs, natural environment and so on are not the same therefore, the northern and Southern Dynasties Yuefu folk songs also show different color and flavor.
The duality and the discipline of folk songs by culture has the diversity of forms of musical practice, is an important basis for academic research from the background of folk music culture of song. In previous studies, researchers from the perspective of music intervention often lack of lyric poetry history significance concern, on the other hand, the researchers involved in the view of literature is the lack of music based on the formation of "Song Ci" literary characteristics of attention. In view of this, this paper try to find the two intrinsic relation between music background and song literary development, the southern and Northern Dynasties "Song Ci" in the music culture and music activities and examine specific description, to find the multiple meanings of "songs rich and complex, which leads to the problems of interpretation of song literature and literary history.
This thesis is written on the basis of the above point of view, and the full text is divided into three chapters.
The introduction part is the summary of the research, including the history and current situation of the close academic research related to the topic selection, summarizing the predecessors' achievements in the music research of Yuefu Poetry in the northern and Southern Dynasties, and the significance of the topic selection, research contents, research ideas and methods.
In the first chapter, we analyze the relationship between Yuefu folk music and Yuefu Poetry's tone and song's tune, and put forward the theoretical basis of the latter chapter's specific music analysis.
The second chapter uses the previous chapter analysis method, analyze the characteristics of the leading music songs or specific examples from the northern and Southern Dynasties, including the folk songs among West Song song and Wu songs rich and subtle, tactfully, Shenxian songs sound strange, complex and zaqu ballad structure free structure, and rich in melody; the analysis of folk songs, mainly music, the melody of Liang Dynasty from five, seven words, mixed words of different style of folk songs of the Northern Dynasty steady heavy, high pitched melodious music characteristic.
The third chapter analyzes the value and significance of Yuefu folk music characteristic of the northern and Southern Dynasties, including the literary significance and historical significance, the literature significance including literature and aesthetics, literary meaning by specific to the "song" to "poetry" change, and promote the integration of the scholar Yuefu folk songs, inspired after world music literature; aesthetic significance to the northern and Southern Dynasties era aesthetic effect; historical significance including music history, cultural history, three aspects of ethical history, history of music system changed the meaning from the exclusive institution, promote the standardization of music analysis angle, meaning of cultural history focuses on folk position change, facilitates the analysis of cultural exchanges between North and South and Hu Han ethnic fusion view of ethical significance of history from the opposition and unity and traditional music education, and the construction of harmony between man and nature of the northern and Southern Dynasties music ethics two aspects were analyzed.

【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.22

【参考文献】