中国民间美术元素—剪纸在铜版画创作中的应用
发布时间:2018-03-14 16:24
本文选题:民间美术元素 切入点:剪纸造型 出处:《内蒙古师范大学》2014年硕士论文 论文类型:学位论文
【摘要】:艺术源于生活而高于生活,中华五千年的历史文化,以极其广泛的包容性孕育了我国多样的艺术文化,作为我国土生土长的民间艺术对我国现代艺术的影响是毋庸置疑的,,民间美术扎根于乡土,充满着朴实、纯真的情感,其无限的艺术魅力和生命力是现代艺术发展的必不可少的营养源。作为中国的铜版画艺术,虽然是一个年轻的生命体,但是在我产生的200多年发展过程中中民间美术从未间断对其的营养滋补。民间剪纸作为民间美术必不可少的一部分,无穷的艺术魅力让我们代代相传。民间剪纸元素及艺术造型从不同角度反应了当时人们现实生活中的政治、经济、文化;特别是普通民众对美好生活的向往。中国人趋吉避凶的民俗观念和美好追求,往往通过从生活中寻求可以借助和隐喻的物象来表现。当代版画艺术发展之路要想有长久而旺盛的生命力,必然要走本土文化的民族之路。自己尝试性的走一条富有民族化的审美艺术创作之路,民间剪纸元素及艺术造型转化为画富有黑白灰的立体造型的现代铜版画,并不是简单语言上的把剪纸元素和造型用铜版画的艺术效果来表现。如果这样就失去了铜版画艺术的固有特征,当代铜版画的艺术创作应该从铜版画本身发展的规律出发,在作品的表现形式及内涵上进一步的拓展。所以艺术跟艺术恰到好处的转换是本文的难点。
[Abstract]:Art originates from life and is higher than life. The history and culture of China for five thousand years have given birth to various kinds of art culture in our country with extremely extensive inclusiveness. As a native folk art of our country, the influence of folk art on modern art of our country is beyond doubt. Folk art is rooted in the local land, full of simple and pure feelings, its infinite artistic charm and vitality is an indispensable source of nutrition for the development of modern art. As the art of copperplate painting in China, although it is a young living body, But in my 200 years of development, folk art has never stopped nourishing it. Folk paper-cut is an indispensable part of folk art. The infinite artistic charm lets us pass on from generation to generation. The folk paper-cut element and the artistic modelling have reflected the politics, the economy, the culture in the real life of people at that time from different angles; In particular, the ordinary people's yearning for a better life. The Chinese people's folklore concept and pursuit of good fortune and avoiding evil, It is often expressed by looking for objects that can be used and metaphorically in life. If the development of contemporary print art is to have a long and vigorous vitality, We must take the national road of local culture. We will try to take a path full of national aesthetic art creation. The folk paper-cut elements and artistic modeling will be transformed into modern copperplate with black and white gray three-dimensional modeling. It is not simple language to express paper-cut elements and shapes with the artistic effect of copperplate. If this loses the inherent characteristics of the art of copperplate, the artistic creation of contemporary copperplate should start from the law of the development of the copperplate itself. Therefore, the transformation between art and art is the difficulty of this paper.
【学位授予单位】:内蒙古师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J217
【参考文献】
相关期刊论文 前1条
1 孙莉;;探析中国南方与北方民间剪纸艺术的差异及成因[J];华章;2010年20期
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