浅析中国当代写实人物油画的艺术视角

发布时间：2018-03-17 06:20

本文选题：艺术视角　切入点：人物写实油画　出处：《四川师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：自文艺复兴开始，为了征服自然，征服真实，西方绘画已经积攒了足够多的经验和技法，，并且穷尽的了写实绘画的各种可能性，把写实艺术发展到了各种极致，使忠实记录和关注内心的写实绘画占据主导地位。在照相术的发明后，艺术史发生了巨大的改变，极大地冲击了写实绘画的地位，写实主义艺术的记录功能逐渐被取代。20世纪的西方政治、经济、文化出现了多元化的局面，在艺术领域也呈现纷繁复杂的艺术潮流和艺术思想。例如二战后开始出现的抽象主义艺术、波普艺术、行为艺术、观念艺术、影像和文案艺术等。在这些艺术潮流和思想充斥的艺术界，传统的架上写实主义受到了巨大的挑战，发展空间得到了限制。写实主义风格，不再占有统治地位而是变成绘画的多种语言形式之一，处于一种边缘化的尴尬局面。许多艺术家开始抛弃传统，标新立异，使得人们逐渐开始怀疑传统的架上艺术，具象的艺术被看做是落伍的代名词，甚至出现了写实绘画消亡论，写实油画的发展陷入一种极为尴尬的局面。于中国来说，油画艺术是西方的舶来品，所以同样的问题也出现在改革开放后各种文化碰撞、思潮大爆炸、经济快速发展的中国。但无论是中国还是西方，在一片关于写实油画是否具有生命力的不休争论中，仍有许多艺术家穷尽一生精力去探索写实绘画在新的时代大背景下的表达方式，创作出各种样式的写实油画，丰富了写实油画的语境。本文试图从不同艺术家的不同的艺术视角来研究新的时代背景下人物写实绘画的多元化，以期望丰富中国人物写实油画的多样性，驳斥写实油画“没落论”、“消亡论”。
[Abstract]:Since the beginning of the Renaissance, in order to conquer nature and to conquer reality, Western painting has accumulated enough experience and techniques, and exhausted the various possibilities of realistic painting, developing realistic art to various extremes. After the invention of photography, great changes have taken place in the history of art, which greatly impacted the status of realistic painting. The recording function of realism art was gradually replaced by the pluralistic situation of Western politics, economy and culture in the 20th century. There are also numerous and complicated artistic trends and ideas in the field of art, such as abstract art, pop art, performance art, conceptual art, which began to emerge after World War II. Image and copywriting art, etc. In the art world with these artistic trends and ideas, the traditional realism on the shelf has been greatly challenged, and the development space has been restricted. No longer dominating but becoming one of the multilingual forms of painting, they are in an awkward situation of marginalization. Many artists have begun to abandon tradition and innovate, making people gradually begin to doubt the traditional scaffolding art. Figurative art is regarded as an anachronism, and even the theory of the demise of realistic painting appears. The development of realistic oil painting falls into a very awkward situation. To China, oil painting art is an import of the West. So the same problems also arise in China, where all kinds of cultures collided after the reform and opening up, the trend of thought has exploded, and the economy is developing rapidly. But whether it is China or the West, in a ceaseless debate about whether realistic oil painting has vitality, There are still many artists who try their best to explore the expression of realistic painting in the background of the new era, and to create realistic oil paintings of various styles. This paper attempts to study the diversity of realistic painting in the new era from different artistic perspectives of different artists in order to enrich the diversity of realistic paintings of Chinese characters. Refute realistic oil painting "decline theory", "die out theory".
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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