《刺客聂隐娘》:功夫意象吻合中的重构与超越

发布时间：2018-03-23 01:32

本文选题：聂隐娘　切入点：艺术风格　出处：《电影评介》2017年08期 　论文类型：期刊论文

【摘要】：正对于一部电影的研究,应该以电影为原点建立一个坐标系。纵轴是导演的创作轨迹,从开始拍片到现今的艺术风格的转变;横轴是电影出现年代的政治、经济、文化等的发展现状,甚至要考量观影主体的最大程度的构成。所以,处于交点处的影片本文就应该从这两个维度进行考察。而从大的观影环境来看,随着社会政治经济文化的飞速发展,文化空前扩张和大众化、泛化倾向,艺术没有了边界,电影的边界也无限延伸,各种艺术的边界模糊,高雅文化和通
[Abstract]:For the study of a film, a coordinate system should be established with the film as the origin. The vertical axis is the director's creative track, the transformation from the beginning of the film to the present artistic style; the horizontal axis is the politics and economy of the era of the film's emergence. The present situation of the development of culture and so on, even must consider the largest degree of composition of the subject. Therefore, the film at the intersection of this article should be examined from these two dimensions. But from the perspective of the large viewing environment, With the rapid development of social, political, economic and cultural, culture is expanding and popularizing, the art has no boundary, the boundary of film is also infinitely extended, the boundary of all kinds of art is blurred, elegant culture and communication.
【作者单位】：重庆工商大学文学与新闻学院;
【基金】：重庆市社科规划项目“文化公平视阈下的重庆市电影消费生态发展研究”(2016YBYS089)的阶段性成果
【分类号】：J905

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