山西绛州剔犀艺术特征及传承研究

发布时间：2018-04-01 18:06

本文选题：绛州剔犀　切入点：艺术特征　出处：《太原理工大学》2014年硕士论文

【摘要】：漆艺在中国已有数千年历史,可考证的最古老的朱漆木碗发掘于浙江余姚河姆渡,距今约7000多年。漆艺品类包罗万象,文化内涵博大精深。在中国艺术史中占有不可小窥的重要地位。在漫漫的的时间长河中纵观中国漆艺历史的演变,可以从朝代的更替中看到装饰纹样、图案内容、器形、色彩、技法的不断更新,日趋完美。而这整个过程,与当时的国力兴衰、社会制度的演变、政治经济以及生活环境的变化、朝廷当权者对漆艺整体的管制、漆器匠人自身的技艺水平与美学修养、当时社会人群对漆艺的总体认识、宫廷贵族御用以及民间百姓在日常生活中,在婚丧嫁娶时,在民俗节日节庆活动时对漆器的应用等各个方面都有着千丝万缕的联系。作为漆艺地域文化的杰出代表,山西以其独特的地理条件,丰厚的文化遗存,清晰的文化脉络,被誉为“中国地上历史文物博物馆”。其以悠久的历史传承,独特的艺术魅力及浑厚的文化积淀著称,山西“绛州剔犀”更是以其优美的造型、古朴淳厚的特点,均匀莹滑的漆层,流畅圆滑的线条,考究的工艺闻名于世。“绛州剔犀”的器型图案、制作流程、所用材料以及工艺的变化如何在历史的进程中不断完善、升华,如何从漆艺的其它门类以及别的工艺品中汲取营养,形成自己独特的和谐、象征、灵动、天趣、工巧的艺术特征,这将成为本文对“绛州剔犀”艺术深入探讨的切入点。同时希望通过有浑厚地域文化内涵的山西漆艺的研究,找寻出传统手工技艺的形态特征,文化内涵以及如何将传统的手工技艺与当代人的审美思维紧密结合,并将这种审美思维融入山西当代漆艺中。这将对山西绛州剔犀漆器乃至中国漆艺发展有点滴的助力及启发,为中国非物质文化遗产保护尽绵薄之力,以此促进山西绛州剔犀漆器艺术及中国传统漆器艺术的传承与发展。同时使山西新绛云雕漆器等够走进人们的日常生活,让更多的人能够接触、欣赏、使用到传统工艺精品,让遗产“活”在我们中间,而非“活”在博物馆,使中华民族古老的优秀传统技艺重新焕发新的生命和光彩。
[Abstract]:Lacquer art has a history of thousands of years in China. The oldest Zhu Zhe wooden bowl that can be verified has been excavated in Zhejiang Yuyao Hemudu, more than 7000 years ago.Lacquer art categories all over the world, cultural connotations broad and profound.It plays an important role in the history of Chinese art.Throughout the history of Chinese lacquer art over a long period of time, we can see from the replacement of the dynasty decorative patterns, design content, shape, color, techniques of continuous updating, increasingly perfect.And this whole process, with the rise and fall of national strength at that time, the evolution of the social system, the changes in political economy and living environment, the overall control of lacquer art by those in power in the court, the skill level and aesthetic accomplishment of the lacquer craftsmen themselves,At that time, the general understanding of lacquer art, the royal aristocrat, the folk people in their daily life, in marriage and funeral, in the folk festival activities of the application of lacquer and other aspects are inextricably linked.As an outstanding representative of lacquer culture, Shanxi is known as the "Museum of Chinese Historical relics" for its unique geographical conditions, rich cultural relics and clear cultural context.It is famous for its long historical heritage, unique artistic charm and rich cultural accumulation, and Shanxi's "Jiangzhou Ticket" is more for its beautiful shape, simple and honest features, uniform clear and smooth lacquer layer, smooth and smooth lines,The fine workmanship is well known all over the world.How to improve and sublimate the pattern, process, material and process of "Jiangzhou Ticket" in the course of history, how to draw nutrients from other categories of lacquer art and other handicrafts,To form its own unique artistic features of harmony, symbolism, intelligence, interest and workmanship will be the entry point for this article to probe deeply into the art of "Jiangzhou tick rhinoceros".At the same time, it is hoped that through the research of Shanxi lacquer art with rich regional cultural connotation, we can find out the morphological characteristics, cultural connotation and how to combine the traditional handicraft technique with the aesthetic thinking of contemporary people.And this aesthetic thinking into Shanxi contemporary lacquer art.This will help and enlighten the development of lacquer ware and lacquer art in Jiangzhou, Shanxi Province, and contribute to the protection of China's intangible cultural heritage, so as to promote the inheritance and development of lacquer art and traditional lacquer art in Jiangzhou, Shanxi Province.At the same time, so that Shanxi's neo-crimson cloud carving and lacquer utensils can enter into people's daily lives, so that more people can come into contact with, appreciate and use traditional craftsmanship, and let the heritage "live" among us, rather than "live" in museums.Make the ancient and outstanding traditional skills of the Chinese nation radiate new life and brilliance again.
【学位授予单位】：太原理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J527

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