新世纪女性作家乡土小说伦理叙事研究

发布时间：2018-05-14 09:18

本文选题：女性 + 乡土小说　；参考：《山东大学》2014年硕士论文

【摘要】：本文拟以“伦理叙事”为角度,对新世纪女性作家乡土小说创作进行整体性考察,以期梳理其乡土叙事错综复杂的脉络关系,反思其创作现状,对其前景进行预测。同时,通过对其伦理叙事基本主题、思想内涵、美学特征等方面的剖析总结,提炼出女性作家叙事文本丰富且异质性的内涵,把握女性写作传统的继承与发展。论文主体部分以由浅入深的逻辑顺序分为三章。首先,论文对其伦理叙事基本主题进行归纳概览。一是婚姻伦理叙事,展现出乡土婚姻伦理由“传统型”向“现代型”过渡之难。包括其对婚姻中女性从属地位及其悲剧命运的揭示；对婚姻与爱情关系的探讨；及对婚姻“第三者”现象合理性的叙事倾向。二是生存伦理叙事,呈现出世纪之交乡村社会政治、经济、文化转型中较为真实的生存图景。包括其对乡村土地流失的忧思；对农民因贫穷或对“现代”渴望而出离故土,并造成乡村主体虚空现实的深思；对乡土文化逐渐远逝的悲思；及对乡村政治流弊的反思。进而,论文对其伦理叙事思想内涵进行深入探究。一是其创作对女性意识的表达。其通过对乡土女性生命体验及心灵情感细致入微的体察,思考乡土女性性别意识觉醒所面临的传统及现实精神困境,并以“性”之觉醒的含蓄书写,突破程式化的欲望言说,建构自然唯美的女性话语。二是其创作对农民文化人格的透析。包括对农民在前现代性心理结构与现代性心理结构冲突中,所体现出的现代性迷思和主体性迷失的揭示；对其在商业文化刺激下,拜金观念泛滥导致乡土道德失落的揭露；以及对其传统政治文化心理痼疾的讽刺。三是其创作对乡土“乌托邦”的建构。其在面向当下的同时回溯传统,在返璞归真中,表现出对人性、人情之美善,对乡土传统美德的向往,祭奠着现代性追逐下破碎的精神家园,思考着人性出路,追寻着文化救赎。同时,在女性作家艺术思维的渗透下,其伦理叙事文本又体现出较为鲜明的美学特征。一是其文本对女性写作“小叙事”美学传统的承续,包括其对乡村日常生活的形式模拟,及对人物心理细腻的感知。二是其文本呈现出含蓄节制的感伤美学风格,并体现出“化境”,“主情”,“有感而发,伤情而止”等审美特点。而其个体感伤格调差异性又构成了其感伤之“美”的多维艺术空间。三是其文本蕴涵着平实朴素、简约内敛的牧歌式诗性韵致,主要体现于其文本语言择取的大地诗性内涵,语言运用的含蓄与灵动,如其对字词的锤炼,对句式节奏感的把握与画面感的营造等,及其“以象结意”的叙事技巧之中。最后,论文在女性写作视域下观照新世纪乡土小说伦理叙事,发掘并总结其性别文化内涵与创作的关系,包括其婉约中庸的价值立场,柔韧微弱的理想情怀,感性形象的思维特质等,并指出其性别文化先天的理性与思辨不足所造成的创作瓶颈,分析其突破的方向与可能性。
[Abstract]:This article, taking the "Ethical Narrative" as the angle, examines the creation of local novels in the new century for women writers, in order to sort out the intricate choroid relationship of their local narrative, reflect on the present situation of their creation and predict their prospects. At the same time, through the analysis and summary of the basic themes, ideological connotation and aesthetic characteristics of their ethical narrative. It extracts the rich and heterogeneous connotation of female writers' narrative texts and grasps the inheritance and development of women's writing tradition.
The main part of the thesis is divided into three chapters in the logical sequence from shallow to deep. First, the paper summarizes the basic theme of its ethical narrative. First, the narrative of marriage ethics shows the difficulty of the transition from "traditional type" to "modern type" in marriage ethics, including the revelation of the subordinate status of women in marriage and the tragic fate of marriage; The discussion of the relationship between marriage and love; and the narrative tendency of the rationality of the "third party" phenomenon of marriage. Two is the ethical narrative of survival. It presents a more real life picture in the transformation of rural social politics, economy and culture at the turn of the century. It includes his worry about the loss of rural land, and the peasants are out of poverty or the desire for "modern". The soil also causes deep thinking about the reality of the rural main body, the grief of the gradual decline of the local culture, and the introspection of the rural political malpractice.
Then, the thesis deeply explores the connotation of its ethical narrative thought. First, the expression of her creation to women's consciousness. Through a subtle insight into the life experience and emotional feelings of the local women, it thinks about the traditional and realistic dilemma faced by the awakening of the gender consciousness of the local women, and makes a breakthrough with the implication of the awakening of "sex". A stylized desire to construct a natural and aesthetical feminine discourse. Two is a dialysis of the cultural personality of the peasants. It includes the revelation of the confusion of modernity and the loss of subjectivity in the conflict between the former modern psychological structure and the modern psychological structure. The revelation of the loss of soil morality, as well as the irony of its traditional political and cultural psychological chronic illness. Three is the construction of his creation to the "Utopia" of the native land. It is at the moment, while back to the tradition, and in the return to nature, shows the beauty of humanity, the beauty of human feelings, the yearning for the traditional virtues of the native land, and the sacrifice of the broken spiritual family under the pursuit of modernity. The garden, thinking of the way out of human nature, pursued a cultural redemption.
At the same time, under the infiltration of female writers' artistic thinking, their ethical narrative texts reflect more distinct aesthetic features. One is the continuation of the aesthetic tradition of "small narrative" in women's writing, including the form simulation of the daily life in the countryside and the subtle perception of the characters. Two, the text presents a sense of implicit restraint. The aesthetic style of the injury, which embodies the aesthetic characteristics of "the situation", "the main feeling", "the sentimentality, the injury", and other aesthetic characteristics, and its individual sentimental style differences constitute the multi-dimensional artistic space of its sentimental "beauty". Three, its text contains plain and simple, simple and introverted pastoral poetic charm, which is mainly reflected in the selection of his text language. The connotation of the poetic nature of the earth, the implicit and spiritual use of the language, such as the tempering of the words, the grasp of the sense of the rhythm of the sentence and the creation of the sense of the picture, as well as the narrative techniques of "with the image of meaning".
Finally, in the view of women's writing, the paper tries to explore and summarize the relationship between the cultural connotation of the new century and the relationship between the cultural connotation and the creation of the new century, including the value position of the euphemism, the weak idealism and the thinking characteristics of the perceptual image, and points out the creation of the innate rationality and speculation of the sex culture. Make a bottleneck and analyze the direction and possibility of the breakthroughs.

【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.42

【参考文献】